господа #venicebiennale2019 #italy
#venicebiennale2019 #labiennale2019 #arsenale
Curator-ISHIKURA Toshiaki 石倉敏明 #石倉敏明 #toshiakiishikura #venicebiennale2019 •••••••••••••••••••••••••••••••••••••••••••• ISHIKURA Toshiaki Associate Professor, Faculty of Fine Arts, Akita Public University of Fine Arts and Music, Art Anthropologist, Mythologist. Specializing in mythology and religion, Ishikura is developing unique activities linking anthropology and contemporary art, including collaborative productions with artists. As a representative of the Japanese Pavilion at the 58th International Art Exhibition of the Venice Biennale, he presented “Cosmo-Eggs” in collaboration with artist Motoyuki Shimomichi, composer Taro Yasuno, architect Fuminori Nosaku, and others. He is co-author of “Lexicon: Contemporary Anthropology” (co-edited by Katsumi Okuno, Eibunsha, 2018) and “Animal Language: Beyond the Fundamental Violence” (co-authored by Tomoko Konoike, Hatori Shoten, 2016). source of a quote ↓ https://kinan-art.jp/en/
9. May 2019 Opening of the Pavilion of Bosnia and Herzegovina at the 58th Venice Biennale 2019 Dream team❤️ #bosnianpavilion2019 #zenicatrilogy #venicebiennale2019 #cabernardo #zenicatrilogy # #bosniaherzegovina @amilapuzic #anjabogojevic #egberttrogemann @bojan__vuletic @amrabaksiccamo @zimtomatic #xeniaschürmann @clau_zini @arsaevi @senkaibrisimbegovic @mela_zuljevic @almirabaz #farukcokic
“Swimming Hole,” 2024, Stanley, 152cm x 183cm, acrylic, encáustic, tape and fabric on canvas, on a wood cradle. “The story is told by Kathie Smith Littlejohn. It’s called, “The Origin of The Pileated Woodpecker.” It’s about a woman that had a garden that she meticulously kept and would furiously wave her hands at children who passed through it to get to the swimming hole. She scared the children and angered their parents. The conjure woman became angry at her for this and turned her into a woodpecker. The lady’s black dress became feathers and her red scarf turned into a red topknot of the bird. Now she takes care of trees in the forest. I painted here the moment as she transitions from woman to bird. The conjure woman is seen in her boldness conducting the transformation. Imperative here to underline the dynamism of a transformative moment like the action of the spell described in the story. As an artist I underlined that moment of transformation and express details of a woman half way between bird and woman. #cherokeeartist #contemporarynativeamericanart #conjurewoman #biennaledivenezia #montecitostyle #biennaledivenezia2019 #montecitodesign #venicebiennale #venicebiennale2019 #ekphrasis #transforming #contemporarypainting #vogue #parisvogue #adfrance #architecturaldigest #elizabethgordongallery #woodpecker #cherokeestories #cherokeestory #pileatedwoodpecker #youngcollectors #turnerprize
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #venicebiennale
My drawing of the “Origin of the Pileated Woodpecker.” It’s a Cherokee story about a woman that had a garden that she spent all her time in, cutting and planting and keeping it so perfect that she would get upset whenever children would come into it. There was an old watering hole near where she lived. Children loved to swim there. The only problem was that the only path to water went through her garden. Whenever she’d see children going across her garden, she’d run outside and start waving her hands furiously at the them, in an effort to chase them away. This began to bother the conjure woman so the next time she saw the lady waving her hands at the children, she put a spell on her that turned the mean woman into a woodpecker. #conjurewoman #montecitostyle #montecitodream #biennaledivenezia #cherokeeartist# #contemporarynativeamericanart #montecitodesign #biennaledivenezia2019 #adfrance #drawing #drawingskills #venicebiennale #ekphrasis #youngcollectors #venicebiennale2019 #birddrawing #birddrawing #birddrawings #conjure #spells #spell #spellbound #spellbound_stories p #spellbound_artwork #woodpecker #woodpeckers #pileatedwoodpecker #pileatedwoodpeckers #parisvogue #elizabethgordongallery
. . Miss you . #venicebiennale2019
The conjure woman was angry at the old woman with the garden so she turned her into a woodpecker! #woodpecker #pileatedwoodpecker #conjurewoman #conjurer #cherokeeartist #contemporarynativeamericanart #biennaledivenezia #biennaledivenezia2019 #montecitodesign #youngcollectors #ekphrasis #venicebiennale #montecitostyle #elizabethgordongallery #adfrance #venicebiennale2019 #architecturaldigest #cherokee #contemporarypainting #watches #youngcollectorscircle
With my #VeniceBiennale posts, I’d be remiss if I didn’t share some photos from my “AfriCOBRA: Nation Time” exhibition that was one of the Venice Biennale’s official collateral events in 2019. Though it was 5 years ago, I remember it like it was yesterday. Something interesting happened on this trip: several folks mentioned seeing the show in 2019 and shared how they and other folks thought it was one of the best exhibitions that year. At first I was a bit taken aback and then I remembered that curating is storytelling, and when the art is stellar, telling the story as a curator is a dream. I am deeply committed to supporting Elder artists and sharing their work with the world because they’ve been the most collaborative, inspiring and passionate folks I’ve worked with. And, they deserve to take up as much space as they want in a contemporary art world that primarily wants to see only younger artists. Yes, some Elders are finally getting their just due and for some, it’s too late, and while this is the case, many may not receive the royal curatorial treatment before they transition to the next timeline. Forever grateful to the AfriCOBRA artists who trusted and cared for me during the exhibitions in Miami and Venice. #AfriCOBRA #AfriCOBRANationTime #VeniceBiennale2019
"What Happened?", the 100-work exhibition of drawings, paintings, and sculptures of rock-star American artist Nicole Eisenman [born Verdun, France 1965, lives and works in Brooklyn] has just moved from the Whitechapel Gallery in London and opened at MCA Chicago. There you will find two walls of Eisenman's drawings, the backbone of their practice, which are gay and gloriously revealing. Decades of American history take you from 9/11, to George Floyd, to the banking blow up, in brilliant color and mixed media. But when all is said and done, Eisenman shares with us their dilemma as an artist and a humanitarian, trying to make sense out of our time together on this planet ....and their daily struggle with brush in hand, to figure out ...WTF Happened? Image 1: Nicole Eisenman, The Triumph of Poverty, 2009, Oil on canvas, 65 × 82 in Image 2: Nicole Eisenman, Sloppy Bar Room Kiss, 2011, Oil on canvas, 39 × 48 in Image 3: Nicole Eisenman, Beer Garden with Ulrike and Celeste, 2009, Oil on canvas, 65 × 82 in Image 4: Nicole Eisenman, Installation view, “What Happened“ at Museum Brandhorst Munich, March 24 - September 10 2023, Photo: Haydar Koyupinar, Bayerische Staatsgemäldesammlungen Image 5: Nicole Eisenman, 2014, Photographer: Stefan Ruiz, courtesy of wmagazine.com #NicoleEisenman #WhatHappened #MCAChicago #MuseumBrandhorst #WhitechapelGallery #MonikaBayerWermuth #MarkGodfrey #RISD #MacArthurFellow #ArtsandLettersNYC #RenaissancePainting #VeniceBiennale2019 #WhitneyBiennial2017 #SkulpturProjekteMünster2017 #Vielmetter #HauserandWirth #AntonKernGallery #ReeseyShawCuratorial
Clay sculpture. Documentary film about process of creating this work was shown at Venice Biennale, 2019 with Title " Emotional sculpture" by Solonair #venicebiennale2019 #venicebiennale #mykolasolonair #solonairmykola #solonairnick #artpompous
Speaking in conversation with co-curator Annika Kristensen, Laure Prouvost discusses key themes across her practice, as well as her distinct use of video, sound and the absurd in ACCA’s latest podcast — offering listeners a glimpse into the imaginative and absorbing hallmarks of Prouvost’s diverse artistic practice. This program was recorded following a screening of Prouvost’s short film ‘They Parlaient Idéale’, which premiered in the French Pavilion at the 58th Venice Biennale in 2019 and was screened by ACCA for the first time in Australia at ACMI. Now available to listen at the link in bio. @studioprouvostsocialclub @annika__kristensen #LaureProuvost #OuiMoveInYou #TheyParlaientIdeale #VeniceBiennale #VeniceBiennale2019 #ACMI Image: Opening event, ‘Laure Prouvost: Oui Move In You’, Australian Centre for Contemporary Art, 2024. Photograph: Casey Horsfield
“Low Tide,” 2024, Stanley, 11 x 14”, acrylic, encaustic and tape on canvas board. “As straw is trodden down in a manure pile, And he will spread out his hands in the middle of it As a swimmer spreads out his hands to swim,…” #oho #ocean #water #youngcollectors #vogueparis #postvandalism #cherokeeartist #contemporarynativeamericanart #nativeamericanart #postvandalismo #montecitostyle #montecitodesign #adfrance #vogue #montecitodesign #biennaledivenezia #ekphrasis #venicebiennale #adfrance #biennaledivenezia2019 #artcritic #skingraftdesigns #venicebiennale2019 #elizabethgordongallery #rinconcalifornia #lesurf #surfriderfoundation #surfridermalibu
Немного русского павильона #venice #venicebiennale2019 #italy #venicebiennale
Nacido en Iquitos (1973), Christian Bendayán (@christianbendayan ) es un reconocido artista y curador, que ha trabajado durante más de 25 años promoviendo las artes y tradiciones amazónicas en todo el mundo. Ganador del Premio Nacional de Cultura en 2012, la trayectoria de Bendayán incluye ser director del Instituto Nacional de Cultura de Loreto, fundador de Bufeo: Amazonía + Arte, un proyecto dedicado a la investigación y promoción del arte amazónico, así como múltiples publicaciones. En 2019, su exposición “Indios antropófagos” representó al Perú en la 58 Bienal de Arte de Venecia. Posteriormente, en 2021, dirigió la miniserie documental “AMA/zonas de mitos y visiones”, centrada en el arte amazónico. Su perspicaz ensayo, “El artivismo de la imaginación mítica de la Amazonia”, es una contribución notable a la antología “Amazonia: Anthology as Cosmology”, publicada por CULTURESCAPES y Sternberg Press en 2021. / Born in Iquitos (1973), Christian Bendayán is a distinguished artist and curator, who has worked for more than 25 years promoting Amazonian arts and traditions around the world. Winner of the National Culture Award in 2012, Bendayán’s background includes serving as the director of the National Institute of Culture of Loreto, establishing Bufeo: Amazonía + Arte, a project dedicated to the research and promotion of Amazonian art, as well as multiple publications. In 2019, Bendayán’s exhibition “Indios antropófagos” represented Peru at the 58th Venice Art Biennale. Subsequently, in 2021, he directed the documentary miniseries “AMA/zones of myths and visions,” focusing on Amazonian art. His insightful essay, “The Artivism of the Amazonia Mythic Imagination,” is a notable contribution to the anthology “Amazonia: Anthology as Cosmology,” published by CULTURESCAPES and Sternberg Press in 2021. . . . . #christianbendayan #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico
“Rincon Low Tide,” 2024, 11 x 14”, acrylic, cloth, encaustic and tape on canvas board. “The idea which ruins awake in me are great. Everything is destroyed, everything perishes, everything passes on. Only the world remains. Only time endures.” Hubert Robert (1733-1808) #yearsandyears #stacking #postvandalism #rinconcalifornia #montecitodesign #cherokeeartist #bienale #montecito #elizabethgordongallery #venicebiennale #youngcollectors #contemporarypainting #contemporarynativeamericanart #montecitostyle #ekphrasis #biennaledivenezia #lesurf #vogue #biennaledivenezia2019 #thewave #venicebiennale2019 #artcritic #artforum #parisvogue #adfrance #architecturaldigest #designi̇deas
Thank you @wildflowernwolf for capturing many images that accurately captured the mood of my process. #cherokeeartist #contemporarynativeamericanart #contemporaryart #biennaledivenezia #biennaledivenezia2019 #here #venicebiennale #montecitodesign #venicebiennale2019 #adfrance #montecitostyle #montecito #lesurf #rinconcalifornia #parisvogue #vogue #postvandalism #chaseedwardsgallerybridgehampton #artiststudio #elizabethgordongallery
“Rincon, Low Tide,” 2024, acrylic, tape and wax on canvas board. #surfrider #surfriderfoundation #surfriders #cherokeeartist #contemporarynativeamericanart #here #lesurf #rinconcalifornia #elizabethgordongallery #chaseedwardsgallery #parisvogue #adfrance #postvandalism #montecitodesign #montecitostyle #youngcollectors #designideas #montecito #surfingusa #vogue #biennaledivenezia #biennale #biennaledivenezia2019 #oceanpainting #venicebiennale #venicebiennale2019
“Slay,” 2024. Algunos dirían que tenemos suerte de tener el apoyo y gozo de aparatos virtuales mientras que participamos en una guerra hasta la destrucción y muerte contra la madre naturaleza. Mas casos de ataques de pánico entre la población ahora que antes de la edad del ordenador. Entrenamos ahora para una vida que no depende de la tierra y sus malditos tesoros. #climatechangeart #biennaledivenezia #montecitostyle #venicebiennale #butterflybeach #rinconcalifornia #lesurf #surfrider #cherokeeartist #contemporarynativeamericanart #biennaledivenezia2019 #adfrance #venicebiennale2019 #ekphrasis #elizabethgordongallery #venicebiennale2019 #parisvogue #youngcollectors #postvandslism #montecito
“Rincon, Low Tide,” 11 x 14”, acrylic, encaustic and athletic tape on canvas. It’s a beautiful day! #rinconcalifornia #contemporarynativeamericanart #montecitodesign #youngcollectorscircle #biennaledivenezia #montecitostyle #biennaledivenezia2019 #adfrance #designideas #elizabethgordongallery #biennaledivenezia #venicebiennale #venicebiennale2019 #nativeamericanart #oceanpainting #postvandalism #conteporarypainta #architecturaldigest #lesurf
Sunday, March, 16, 2024. #cherokeeartist #nativeamericanart #contemporarynativeamericanart #lesurf #adfrance #montecito #nontecitostyle #biennaledivenezia #venicebiennale2019 #montecitodesign #biennaledivenezia2019 #youngcollectors #stacking #artcritic #rinconcalifornia #postvandalism #vogue #parisvogue #elizabethgordongallery
“The Lineup,” 2024, Stanley, 11 x 14”, acrylic, encaustic and tape on canvas board. Ours, a virtual Rococo - the palace is surrounded and under siege! Earth attacks by all degrees of wrath, dizzying heaven surround us and reaps here and there. The sky - sun and stars, the forces of nature are rising up to level our indolence and pride. #youngcollectors #venicebiennale #elizabethgordongallery #montecitostyle #cherokeeartist #postvandalism #adfrsnce #parisvogue #contemporarynativeamericanart #rinconcalifornia #lesurf #montecitodesign #designideas #turnerprize #climatechangeart #oceanpainting #watches #stacking #biennaledivenezia #venicebiennale2019 #youngcollectorscircle #ekphrasis
Thursday, march, 14th. Day after no phone. Note to self. “Ditch the phone.” #ekphrasis #artiststudio #youngcollectors #lesurf #rinconcalifornia #architecturaldigest #architecturaldesign #montecitostyle #montecitodesign #cherokeeartist #ama #contemporarynativeamericanart #postvandalism #adfrance #biennaledivenezia #parisvogue #vogue #biennaledivenezia2019 #venicebiennale #venicebiennale2019
Venezia biennale 2019 Istallazione di Lorenzo Quinn Arsenale #new_photoitalia #new_photoitaly #bellabrescia #brescia_today# #italiait #italia_dev #bresciasocial #ig_brescia #venezia #biennaledivenezia #veneto #ig_venezia #arsenaledivenezia #venicebiennale2019 #italianlandscapes #italiait #italia_dev #natgeoit #gardaoutdoors #visitlakeiseo #canon
#venicebiennale2019 #venicebiennale
#rinconcalifornia #lesurf #surfrider #surfriderfoundation #climatechangeart #biennaleMarch reading: (books)18th century French Painting, Boucher, Fear and Trembling -still😳, Fragonard. #biennaledivenezia #postvandalism #montecitostyle #parisvogue #biennaledivenezia2019 #adfrance #montecitostyle #venicebiennale #venicebiennale2019 #elizabethgordongallery #ekphrasis #contemporarynativeamericanart #cherokeeartist
“Apuntes de la Naturaleza nos sumerge en un diálogo sobre las complejas relaciones entre la humanidad y la naturaleza. En la obra de Christian Bendayán (@christianbendayan ), los paisajes amazónicos se materializan como un conjunto integrado por el río, la selva y el cosmos, personificados a través de máscaras de la tradición bora, simbolizando los espíritus que actúan como testigos del ecocidio que amenaza nuestra conexión física y espiritual con la Amazonía. Por otro lado, María Abaddon (@mariaabaddon ) nos sumerge en escenarios ‘contrautópicos’, presentando futuros imaginarios donde la Tierra escapa de la presencia amenazante de la humanidad, mostrando paisajes vivos y cambiantes, como mutaciones conformadas por la piel del individuo que ahora será el recurso al que explotar. La muestra es una mirada a una naturaleza rebosante, sincrética y salvaje, una naturaleza marcada por la pulsión inherente que encontramos en todo ser viviente, el anhelo de resistir.” / “Apuntes de la Naturaleza” (Notes of Nature) immerses us in a dialogue on the complex relationships between humanity and nature. In Christian Bendayán’s work, the Amazonian landscapes materialize as a set integrated by the river, the jungle and the cosmos, personified through masks of the Bora tradition, symbolizing the spirits that act as witnesses of the ecocide that threatens our physical and spiritual connection with the Amazon. On the other hand, Maria Abaddon immerses us in ‘counter-utopian’ scenarios, presenting imaginary futures where the Earth escapes the threatening presence of humanity, showing living and changing landscapes, like mutations shaped by the skin of the individual who will now be the resource to exploit. The exhibition is a look at an overflowing, syncretic and wild nature, a nature marked by the inherent drive we find in every living being, the yearning to resist.” . . . . . #christianbendayan #mariaabaddon #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico #wetfelt #felting #softsculpture
Maria Abaddon (@mariaabaddon ) y Christian Bendayán (@christianbendayan ) presentan ‘Apuntes de la Naturaleza’ en Ginsberg + Tzu - Madrid (@ginsberg_tzu ). ¡Los esperamos! / Maria Abaddon and Christian Bendayán present ‘Annotations on Nature’ at Ginsberg + Tzu - Madrid (@ginsberg_tzu). Come visit! . . . . . #christianbendayan #mariaabaddon #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico #wetfelt #felting #softsculpture
No scientific method in this investigation. You may see beakers and light and liquid, the only linearity building up is a silent awareness of the last few works, and tape. #cherokeeartist #rinconcalifornia #biennaledivenezia #montecitostyle #biennaledivenezia2019 #ekphrasis #adfrance #montecitodesign #postvandalism #venicebiennale #parisvogue #climatechangeart #elizabethgordongallery #contemporarynativeamericanart #vogue #ad #youngcollectors #youngcollectorscircle #venicebiennale2019 #lesurf
Maria Abaddon (@mariaabaddon ) y Christian Bendayán (@christianbendayan ) presentan ‘Apuntes de la Naturaleza’ en Ginsberg + Tzu - Madrid (@ginsberg_tzu ). Inauguración, Viernes 8 de Marzo de 11.30am a 4.30pm. ¡Los esperamos! / Maria Abaddon and Christian Bendayán present ‘Annotations on Nature’ at Ginsberg + Tzu - Madrid (@ginsberg_tzu). Opening, Friday March 8 from 11.30am to 4.30pm. Come visit! . . . . . #christianbendayan #mariaabaddon #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico #wetfelt #felting #softsculpture
“Apple,” he said. ⚓️ “What advantage does man have in all his work which he does under the sun? A generation goes, and a generation comes, but the Earth remains forever. Also, the sun rises and the sun sets and hastening to its place it rises there again.” - Solomon #rinconcalifornia #biennaledivenezia #biennaledivenezia2019 #montecitostyle #venicebiennale #venicebiennale2019 #ekphrasis #postvandalism #lesurf #climatechangeart #montecitodesign #contemporarypainting #cherokeeartist #contemporarynativeamericanart #parisvogue #sbmagazine #vogue #adfrance #architecturaldigest #surfrider #surfingusa
_Nicole Eisenman(American, b. 1965-)_Hauser & Wirth. Sotheby's Nicole Eisenman lives and works in Brooklyn, New York. She is a MacArthur Foundation Fellow and was inducted into the American Academy of Arts and Letters in 2018. Her work was included in the 2019 Venice Biennale, 2019 Whitney Biennial, and 2017 Skulptur Projekte Münster in Münster, Germany. 📌 6 Things to Know About Nicole Eisenman 1___Eisenman’s career began in New York 2___An explicit drawing in the bin launched her into success 3___She came up with a vociferous community of artists, poets and filmmakers 4___She turns ‘failure’ into success 5___She draws on art historical references 6___Eisenman’s practice is always evolving Bio. One of the most important figurative painters working today, Nicole Eisenman explores the human condition in prints, paintings, drawings, and mixed-media works full of tenderness and dark humor. Influenced by Pablo Picasso, Expressionism, and Impressionism, Eisenman populates their works with emotionally resonant, cartoonish figures—of themself, their friends, and imagined characters. Energetic, painterly flourishes and intense colors give heft to Eisenman’s scenes, which often focus on community and queer love. A graduate of the Rhode Island School of Design, Eisenman was named a MacArthur Fellow in 2015 and was included in both the Venice Biennale and the Whitney Biennial in 2019. Eisenman’s paintings have been acquired for the public collections of the Art Institute of Chicago, the Museum of Modern Art, the Tate, and the Centre National des Arts Plastiques, among other institutions, and regularly sell for six figures at auction. 📌 High auction record (US$2.4m) Night Studio, 2009(10th work) Sotheby's, 2023 #nicoleeisenmann #american #artist #hauserwirth #sothebys #brooklyn #newyork #macarthurfoundation #venicebiennale2019 #whitneybiennial #skulptur #projekte #figurative #painters #working #human #prints #paintings #drawings #media #works #artwork #masterpiece #darkhumor #pablopicasso #expressionism #impressionism #contemporary #contemporaryart
“Low Tide,” 2024, Stanley, 11 x 14”, acrylic, tape, varnish and encaustic on canvas board. Voltaire -“The taste for luxury enters all social classes;/The poor see it in the vanity of the Great;/ And work, thus guaranteed by indolence,/Opens the slow steps to the way of riches’. #rinconcalifornia #cherokeeartist #lesurf #contemporarynativeamericanart #biennaledivenezia #montecitostyle #montecitodesign #biennale #biennaledivenezia2019 #venicebiennale2019 #venicebiennale #elizabethgordongallery #adfrance #architecturaldigest #surfrider #designideas #ekphrasis #postvandalism #voltaire #climatechangeart
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
“ we love the pleasures of the flesh and everything that makes life sweeter and more comfortable, brilliant equipages, jewels, and amusements of every kind … our luxury is found in fragile things that cost much and last little’. Saint-Yves -1748. #cherokeeartist #contemporarynativeamericanart #rococo #montecitostyle #montecitodesign #venicebiennale #venicebiennale2019 #artesacre #artesacra #biennaledivenezia #biennaledivenezia2019 #artcrtic #ekphrasis #postvandalism #flesh #crucifixion #encaustic #encausticpainting #youngcollectors #contemporarypainting
#venicebiennale2019 #labiennale2019 #arsenale
“Bear Shirt 2,” 2024, Stanley, 5 x 7’, acrylic, tape, cloth and encaustic on canvas on a wood cradle. This is the first offspring of “Bearshirt,” a painting I posted here, late last year. It was purchased recently by the Cherokee Nation. After a morning of searching, I found my grandparents’ old abandoned home: wood dwelling that was built probably in the 1930’s. It became the subject of a painting called, “Bear Shirt.” The result was so important for me that I felt it a crime not to do more versions of it in order to familiarize myself with the type of role I established in my process. I call it a masterpiece which means master piece. Like master key. Unlock, if you will, the power and delights of this 2nd version. #cherokeeartist #cherokeeart #montecitodesign #biennaledivenezia #biennaledivenezia2019 #contemporarynativeamericanart #contemporarynativeart #bear #artcritic #ekphrasis #postvandalism #elizabethgordongallery #venicebiennale #venicebiennale2019 #muskogee #montecitostyle #parisvogue #adfrance #architecturaldigest
Nacido en Iquitos (1973), Christian Bendayán (@christianbendayan ) es un reconocido artista y curador, que ha trabajado durante más de 25 años promoviendo las artes y tradiciones amazónicas en todo el mundo. Ganador del Premio Nacional de Cultura en 2012, la trayectoria de Bendayán incluye ser director del Instituto Nacional de Cultura de Loreto, fundador de Bufeo: Amazonía + Arte, un proyecto dedicado a la investigación y promoción del arte amazónico, así como múltiples publicaciones. En 2019, su exposición “Indios antropófagos” representó al Perú en la 58 Bienal de Arte de Venecia. Posteriormente, en 2021, dirigió la miniserie documental “AMA/zonas de mitos y visiones”, centrada en el arte amazónico. Su perspicaz ensayo, “El artivismo de la imaginación mítica de la Amazonia”, es una contribución notable a la antología “Amazonia: Anthology as Cosmology”, publicada por CULTURESCAPES y Sternberg Press en 2021. / Born in Iquitos (1973), Christian Bendayán is a distinguished artist and curator, who has worked for more than 25 years promoting Amazonian arts and traditions around the world. Winner of the National Culture Award in 2012, Bendayán’s background includes serving as the director of the National Institute of Culture of Loreto, establishing Bufeo: Amazonía + Arte, a project dedicated to the research and promotion of Amazonian art, as well as multiple publications. In 2019, Bendayán’s exhibition “Indios antropófagos” represented Peru at the 58th Venice Art Biennale. Subsequently, in 2021, he directed the documentary miniseries “AMA/zones of myths and visions,” focusing on Amazonian art. His insightful essay, “The Artivism of the Amazonia Mythic Imagination,” is a notable contribution to the anthology “Amazonia: Anthology as Cosmology,” published by CULTURESCAPES and Sternberg Press in 2021. . . . . #christianbendayan #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico
Here we are in the 21st. Mine will always be the 20th. The stupidity grows exponentially day by day: knowledge in the name of money. Implant a smarter brain that runs like a machine if you will. I can’t do that. Leave your century behind, dream tonight of mine, Byron, Shelley, Sitting bull, Cezanne. #cherokeeartist #cherokeeart #contemporarynativeamericanart #biennaledivenezia #biennaledivenezia2019 #venicebiennale #ekphrasis #venicebiennale2019 #montecitodesign #montecitostyle #staircases #stairs #grafittistreet #cherokeeart #cherokeeartmarket #lordbyron
Nacido en Iquitos (1973), Christian Bendayán (@christianbendayan ) es un reconocido artista y curador, que ha trabajado durante más de 25 años promoviendo las artes y tradiciones amazónicas en todo el mundo. Ganador del Premio Nacional de Cultura en 2012, la trayectoria de Bendayán incluye ser director del Instituto Nacional de Cultura de Loreto, fundador de Bufeo: Amazonía + Arte, un proyecto dedicado a la investigación y promoción del arte amazónico, así como múltiples publicaciones. En 2019, su exposición “Indios antropófagos” representó al Perú en la 58 Bienal de Arte de Venecia. Posteriormente, en 2021, dirigió la miniserie documental “AMA/zonas de mitos y visiones”, centrada en el arte amazónico. Su perspicaz ensayo, “El artivismo de la imaginación mítica de la Amazonia”, es una contribución notable a la antología “Amazonia: Anthology as Cosmology”, publicada por CULTURESCAPES y Sternberg Press en 2021. / Born in Iquitos (1973), Christian Bendayán is a distinguished artist and curator, who has worked for more than 25 years promoting Amazonian arts and traditions around the world. Winner of the National Culture Award in 2012, Bendayán’s background includes serving as the director of the National Institute of Culture of Loreto, establishing Bufeo: Amazonía + Arte, a project dedicated to the research and promotion of Amazonian art, as well as multiple publications. In 2019, Bendayán’s exhibition “Indios antropófagos” represented Peru at the 58th Venice Art Biennale. Subsequently, in 2021, he directed the documentary miniseries “AMA/zones of myths and visions,” focusing on Amazonian art. His insightful essay, “The Artivism of the Amazonia Mythic Imagination,” is a notable contribution to the anthology “Amazonia: Anthology as Cosmology,” published by CULTURESCAPES and Sternberg Press in 2021. . . . . #christianbendayan #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico
“Rincon Low Tide,” 2024, Stanley, 11 x 14”, acrylic, encaustic and tape on canvas board. Leave your century behind, dream tonight of mine, Lord Byron, Shelley, Sitting Bull, Cezanne. #rinconcalifornia #biennaledivenezia #cherokeeartist #cherokeeart #montecitodesign #adfrance #contemporarynativeamericanart #contemporarynativeart #montecitostyle #venicebiennale2019 #postvandalism #parisvogue #ekphrasis #elizabethgordongallery #biennaledivenezia2019 #youngcollectors #youngcollectorscircle #surfriderfoundation #surfrider #lesurf #lesurfingbiarritz
Leave your century behind,… #century #blake #shelley #lordbyron #poe #picasso #cezanne #sittingbull #biennaledive #biennaledivenezia2019 #venicebiennale #venicebiennale2019 #montecitodesign #montecito #artcritic #adfrance #vogueparís #parisvogue #architecturaldigest #designideas #interiordesign #montecitostrong #stairs #postvandalism #ap #watches #buffalo
#venicebiennale2019 #labiennale2019 #arsenale
#venicebiennale2019 #labiennale2019 #arsenale
I used to love laying in the grass as a child, looking up to the sky and seeing all my favorite things in the clouds, the sun was warm and comforting. Tonight I go to bed in fear and ashamed, almost embarrassed to be human and part of the stupidity that is the demise of nature. #flooding #climatechange #climatechangeart #contemporarynativeamericanart #cherokeeartist #biennaledivenezia #biennaledivenezia2019 #venicebiennale #venicebiennale2019 #postvandalism #ekphrasis #montecitostyle #montecitostrong #montecitodesign #vogueparis #vogue #adfrance #architecturaldigest #naturaldisasters
With the cloth on top of the canvas, thinly stretched, I feel the color stains now, like I first felt exploring through the deep brush, the inner part of the house. It hadn’t had a roof for years and the wear and mold of nature on once precious household items was free and happy to absorb. #muskogee #cherokeeartist #contemporarynativeamericanart #biennaledivenezia #biennaledivenezia2019 #montecitodesign #montecitostyle #postvandalism #pistv #postvandalismo #venicebiennale #venicebiennale2019 #ekphrasis #parisvogue #sbmagazine #santabarbaramagazine #contemporarypainting #landscapes #treepainting #adfrance #architecturaldigest #interiordesign #vogue
The ride goes through it all, over and over again. #Theride #cherokeeartist #contemporarynativeamericanart #artcritic #ekphrasis #postvandalism #postvandalismo #landscape #montecitodesign #montecitostyle #biennaledivenezia #biennaledivenezia2019 #parisvogue #adfrance #contemporarypainting #venicebiennale #venicebiennale2019 #elizabethgordongallery
#venicebiennale2019 #labiennale2019 #arsenale
“Low Tide,” 2024, Stanley, 11 x 14”, acrylic, wax, tape on canvas board. #contemporarynativeamericanart #cherokeeartist #postvandalism #artcritic #fragonard #biennaledivenezia #biennalearte2019 #biennaledivenezia2019 #venicebiennale #venicebiennale2019 #montecitodesign #montecitostyle #pacificoceanview #adfrance #vogue #parisvogue #architecturaldigest #contemporarypainting #cherokeenation #postvandalismo
Just before nightfall, there are moments that are like portals, where time skips backwards and forwards with light and color, a synesthesia where time becomes color and it hopscotches back and forth. This is that moment. The space is correct at this moment. #cherokeeartist #contemporarynativeamericanart #padrepio #biennaledivenezia2019 #biennaledivenezia #venicebiennale #venicebiennale2019 #vogue #parisvogue #ekphrasis #montecitostyle #montecitodesign
Nacido en Iquitos (1973), Christian Bendayán (@christianbendayan ) es un reconocido artista y curador, que ha trabajado durante más de 25 años promoviendo las artes y tradiciones amazónicas en todo el mundo. Ganador del Premio Nacional de Cultura en 2012, la trayectoria de Bendayán incluye ser director del Instituto Nacional de Cultura de Loreto, fundador de Bufeo: Amazonía + Arte, un proyecto dedicado a la investigación y promoción del arte amazónico, así como múltiples publicaciones. En 2019, su exposición “Indios antropófagos” representó al Perú en la 58 Bienal de Arte de Venecia. Posteriormente, en 2021, dirigió la miniserie documental “AMA/zonas de mitos y visiones”, centrada en el arte amazónico. Su perspicaz ensayo, “El artivismo de la imaginación mítica de la Amazonia”, es una contribución notable a la antología “Amazonia: Anthology as Cosmology”, publicada por CULTURESCAPES y Sternberg Press en 2021. / Born in Iquitos (1973), Christian Bendayán is a distinguished artist and curator, who has worked for more than 25 years promoting Amazonian arts and traditions around the world. Winner of the National Culture Award in 2012, Bendayán’s background includes serving as the director of the National Institute of Culture of Loreto, establishing Bufeo: Amazonía + Arte, a project dedicated to the research and promotion of Amazonian art, as well as multiple publications. In 2019, Bendayán’s exhibition “Indios antropófagos” represented Peru at the 58th Venice Art Biennale. Subsequently, in 2021, he directed the documentary miniseries “AMA/zones of myths and visions,” focusing on Amazonian art. His insightful essay, “The Artivism of the Amazonia Mythic Imagination,” is a notable contribution to the anthology “Amazonia: Anthology as Cosmology,” published by CULTURESCAPES and Sternberg Press in 2021. . . . . #christianbendayan #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico
Ginsberg + Tzu se complace en anunciar la representación del artista peruano Christian Bendayán (@christianbendayan ). Nacido en Iquitos (1973), Bendayán es un reconocido artista y curador, que ha trabajado durante más de 25 años promoviendo las artes y tradiciones amazónicas en todo el mundo. Ganador del Premio Nacional de Cultura en 2012, la trayectoria de Bendayán incluye ser director del Instituto Nacional de Cultura de Loreto, fundador de Bufeo: Amazonía + Arte, un proyecto dedicado a la investigación y promoción del arte amazónico, así como múltiples publicaciones. En 2019, su exposición “Indios antropófagos” representó al Perú en la 58 Bienal de Arte de Venecia. Posteriormente, en 2021, dirigió la miniserie documental “AMA/zonas de mitos y visiones”, centrada en el arte amazónico. Su perspicaz ensayo, “El artivismo de la imaginación mítica de la Amazonia”, es una contribución notable a la antología “Amazonia: Anthology as Cosmology”, publicada por CULTURESCAPES y Sternberg Press en 2021. / Ginsberg + Tzu is delighted to announce representation of Peruvian artist Christian Bendayán. Born in Iquitos (1973), Bendayán is a distinguished artist and curator, who has worked for more than 25 years promoting Amazonian arts and traditions around the world. Winner of the National Culture Award in 2012, Bendayán’s background includes serving as the director of the National Institute of Culture of Loreto, establishing Bufeo: Amazonía + Arte, a project dedicated to the research and promotion of Amazonian art, as well as multiple publications. In 2019, Bendayán’s exhibition “Indios antropófagos” represented Peru at the 58th Venice Art Biennale. Subsequently, in 2021, he directed the documentary miniseries “AMA/zones of myths and visions,” focusing on Amazonian art. His insightful essay, “The Artivism of the Amazonia Mythic Imagination,” is a notable contribution to the anthology “Amazonia: Anthology as Cosmology,” published by CULTURESCAPES and Sternberg Press in 2021. . . . . #christianbendayan #ginsbergtzu #ginsberggaleria #peruvianartist #lima #madrid #venicebiennale2019 #contemporaryart #artecontemporaneo #arteperuano #peruvianartist #arteamazonico
👋👋👋👋👋👋 #arsenalevenezia #venicebiennale2019