appropriationart images

Discover Best appropriationart Images of World

#food #travel #sports #news #may #thursday

Over the moon to have been able to acquire this and other 1886 images from the “Turn & Fechtlehrer-Curs“ (Gymnastics and Fencing Teacher Course) in Wiener Neustadt from @simon.weber.unger ✨ This one ticks all the boxes 🌞☑️🌞 (detail of full image) . . . . . . . . . #michaelhuey #viennaartist #americanartist #photography #art #arts #contemporaryart #conceptual #conceptualart #appropriationart #gesamtkunstwerk #loss #legacy #archive #memory #memorywork #damage #sensibility #change #transformation #atelier #studio #vienna

5/9/2024, 8:45:58 AM

Fotos del proceso de OLMECAbusters edición de 20. Firmada y enumerada. Pocas piezas disponibles, reserva la tuya por dm Precio $2500mxn + envío 15cms de alto. Resina impresa en 3D Pago con transferencia o PayPal +6% La pieza se enviará de 1-2 semanas después de la preventa Todo hecho con amor en mi estudio en el hermoso puerto jarocho De Veracruz para el mundo! APPROPRIATE EVERYTHING! #APPROPRIATE #OLMECA #tropicalcontemporaneo #art #arte #kunst #fineart #veracruz #jarocho #popart #mexicano #mexican #allseeingeye #420 #prehispanico #digitalart #appropriationart #bootlegmexicano #hypebeast #illustration #3dmodeling #3dprinting #ghostbusters #cazafantasmas #cartoon #90s #arttoy #sculpture #wip

5/8/2024, 11:59:22 PM

This is the few steps into creating an appropriation peace for someone close 💜💜💜 #art #golddetail #appropriationart #artformentalhealth #gift

5/8/2024, 11:06:11 PM

Exorcisme d'une confusion au numéro 108 La persévérance est avantageuse Travaux d'architecture : le plan Collages/photographies 60 x 36 cm 2024 #georges.audet @georges.audet #collagephoto #collagephotography #collageart #collageartwork #collagetoday #photocollage #photocollages #photographycollage #artappropriation #appropriationart #appropriationartist #recupérationart #artrecuperation #alternativephotography

5/7/2024, 10:57:55 PM

2020 March 30th Rifiuti Moriawase Icipation Part 22,7 x 29,2 cm drinking straw framed & glazed with crystal tape #éclairdinspiration #collage #ilhamparıltısı #icipationparts #cảmhứnglóesáng #adbusting #innblástursleiftur #galleryad #ihletvillanása #appropriationart #lampejodeinspiração #heurekart #tvůrčíjiskra #EisforEdison #fflachoysbrydoliaeth #EisforElectricity #ukukhanyakogqozi #EisforEverything #destellodeinspiración #EisamStiel #walƙiyanawahayi #outsiderart #ylham #insiderart #inspiraziodistira #offart #iedvesmasuzplaiksnījums #postart #artsdevivre #allisfullofart

5/7/2024, 11:31:38 AM

Contents

5/7/2024, 11:16:53 AM

I see my work as a psychological wandering through the art world, a questioning of how we are influenced by recurrence and by the art market driven by powerful figures (…) • • Stéphane Ducret Louise Bourgeois, Nature Study
2023 - 2024
Oil, oil stick and pencil on linen
78 x 58 x 3,5 cm | 30 ¾ x 22 ⅞ x 1 ⅓ inches • • • The paintings of the My Own Private Museum series (from 2023) question how artists are recognized in an ubiquitous and growing omniscient digital environment. • #StephaneDucret #swiss #art #artist #contemporaryart #contemporary #swissart #appropriationart #appropriation #recontextualization #peinture #artclasse #onlineclass #ArtClasse #ArtClasseByStephaneDucret #RealFake #bootleg #chefdoeuvre #ArtClass #Swiss #ArtistsPortraits #MarleneDumas #PieroManzoni #merdedartiste #PaulMcCarthy #RudolfStingel #artgeneve #LucasArruda #FranzWest #louisebourgeois

5/7/2024, 10:04:00 AM

POST-IT (REMAKE), C-Print, 180 x 240 cm, 2021 ist Teil der Ausstellung "darktaxa-project: phtoograify" in den Räumen des DFI zur Düsseldorf Photo+. Eröffnung ist am 17.5. Am 15.6. könnt Ihr dem Vortrag von Roland Meyer über "AI" und ein Podium mit Heather Dewey-Hagborg, Michael Reisch & David Young beiwohnen (in english). Eventuell setze ich mich dazu. Fühlt Euch zur Eröffnung und zu den Öffnungszeiten jeden Sa. herzlich eingeladen. Wir organisieren Sa. jeweils spezielle Künstlergespräche oder Sit-ins. # #contemporaryart #contemporaryphotography #postit #postitfortheaesthetics #postitfortheaesthetics #postitnotes #whitesnakeband #whitesnakelegend #photography #remake #appropriation #appropriationart #yellow #yellowpost #yellowpostit #photography #phtoograify

5/6/2024, 10:47:47 PM

WHITESNAKE (REMAKE), C-Print, 85 x 125 cm, 2021 (5 + 2 AP) ist Teil der Ausstellung "Menetekel / Martin, Siebert, Willeke" die thematisch von geheimnisvollen Vorzeichen drohenden Unheils handelt. DOOM-MOOD ab 12.05. – 05.07.24 in der Hengesbach Gallery. Fühlt Euch herzlich eingeladen. #contemporaryart #contemporaryphotography #whitesnake #whitesnakeband #whitesnakelegend #photography #remake #appropriation #appropriationart #doommood #menetekel #hengesbachgallery #starwars #notdarthvader #stormtrooper #outcastclothing

5/6/2024, 10:31:23 PM

The whispering of love to resonance the world. (Foggy Glass Version) 2024 Digital Arts : Digital Collage, Digital Painting, Digital Stencil and Retouching on Photoshop CC #appropriationart #digitalart #digitalcollage #digitalpainting #collageart #painting #retouch #retouching #digitalstencil #photoshopcc #adobephotoshop #photoshopart #arts

5/6/2024, 7:58:26 PM

Pris en otage au numéro 108 La persévérance est avantageuse Collages/photographies 18,5 x 12,5 cm 2024 #georges.audet @georges.audet #collagephoto #collagephotography #collageart #collageartwork #collagetoday #photocollage #photocollages #photographycollage #artappropriation #appropriationart #appropriationartist #recupérationart #artrecuperation #alternativephotography

5/6/2024, 6:50:24 PM

OLMECAbusters edición de 20. Firmada y enumerada. Pocas piezas disponibles, reserva la tuya por dm Precio $2500mxn + envío 15cms de alto. Resina impresa en 3D Pago con transferencia o PayPal +6% La pieza se enviará de 1-2 semanas después de la preventa Todo hecho con amor en mi estudio en el hermoso puerto jarocho De Veracruz para el mundo! APPROPRIATE EVERYTHING! #APPROPRIATE #OLMECA #tropicalcontemporaneo #art #arte #kunst #fineart #veracruz #jarocho #popart #mexicano #mexican #allseeingeye #420 #prehispanico #digitalart #appropriationart #bootlegmexicano #hypebeast #illustration #3dmodeling #3dprinting #ghostbusters #cazafantasmas #cartoon #90s #arttoy #sculpture

5/5/2024, 11:15:30 PM

L'Envahissement au numéro 108 La persévérance est avantageuse Collages/photographies 18,5 x 12,5 cm 2024 #georges.audet @georges.audet #collagephoto #collagephotography #collageart #collageartwork #collagetoday #photocollage #photocollages #photographycollage #artappropriation #appropriationart #appropriationartist #recupérationart #artrecuperation #alternativephotography

5/5/2024, 6:36:47 PM

The whispering of love to resonance the world. 2024 Digital Arts : Digital Collage, Digital Painting and Retouching on Photoshop CC #appropriationart #digitalart #digitalcollage #digitalpainting #collageart #painting #retouch #retouching #photoshopcc #adobephotoshop #photoshopart #arts

5/5/2024, 4:59:04 PM

Reflected Self-Portrait (Maud Cotter), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:38:59 PM

Reflected Self-Portrait (Keira Brady), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:38:39 PM

Reflected Self-Portrait (Ash Roberts), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:38:18 PM

Reflected Self-Portrait (Marlow Moss), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:37:54 PM

Reflected Self-Portrait (Fred Wilson), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:37:33 PM

Reflected Self-Portrait (Eoin McHugh), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:37:11 PM

Reflected Self-Portrait (Sophie Jung), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:36:47 PM

Reflected Self-Portrait (Kris Martin), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:36:19 PM

Reflected Self-Portrait (Joyce Scott), digital photograph, 2007-ongoing With a magpie mindset, I search for and parasitically inhabit artworks that feature a reflective surface. The selection of artists whose work is captured in the Reflected Self Portraits is non-hierarchical, ranging from current art students and emerging artists to established and internationally recognised contemporary artists. Only one characteristic is looked for; is the reflective materiality of the artwork’s surface enough to generate a self-portrait? Any other qualities of the artwork - be they to do with status, concept, interpretation, artistic intentions or meaning – are jettisoned in the creative process. In this way, the intended artistic act could be seen to be acting parasitically, akin to a ‘mooch’, ‘sponger’ or ‘toady’ who is said to live at the expense of others. Reflected Self-Portraits is a series of self-portraits taken using the reflective surfaces of different artworks. It continues my long-running interest in creating works that draw upon, appropriate, and create new visual dialogue with existing artworks by other artists. The process has been ongoing since 2007 and has so far collected an archive of over 750 images. The photographs are simultaneously a record of myself over time and a close-up/detail of another artist’s work. I did not begin this activity as part of my art practice and am still ambiguous over its status as art. #contemporaryart #parasiticalappropriation #contemporaryart #artiststudio #mutualistappropropriation #reflectedselfportrait #andrewbracey #appropriationart #symbioticappropriation #parasiticalart #artisticresearch #parasiteart #phdbypractice #practiceresearch

5/5/2024, 2:35:57 PM

OLMECAbusters edición de 20. Firmada y enumerada. Incluye su caja de madera hecha a mano. 15cms de alto. Resina impresa en 3D Precio $2500mxn + envío Disponible por DM. Pago con transferencia o PayPal +6% La pieza se enviará de 1-2 semanas después de la preventa Todo hecho con amor en mi estudio en el hermoso puerto jarocho De Veracruz para el mundo! APPROPRIATE EVERYTHING! #APPROPRIATE #OLMECA #tropicalcontemporaneo #art #arte #kunst #fineart #veracruz #jarocho #popart #mexicano #mexican #allseeingeye #420 #prehispanico #digitalart #appropriationart #bootlegmexicano #hypebeast #illustration #3dmodeling #3dprinting #ghostbusters #cazafantasmas #cartoon #90s #arttoy #sculpture

5/4/2024, 11:08:13 PM

#appropriationart is using Black music to gain sympathy for #whitesupremacists

5/4/2024, 7:46:55 PM

MISMANAGED AFFECTION Spray paint on a gallery wrapped deep 12x12" canvas.  Thanks @Banksy (no Banksy image in this one).  Don't Hate Me Banksy! #2024 #banksyhatesme  #Banksy  #stencil  #streetart  #spraypaint  #graffiti  #copycat  #imposter  #notbanksy  #fake  #hated  #appropriationart  #montanablack  #montana94  #molotow  #poscaoficial  #poscausa  #canvas  #boy #cat #phone #cellphone #affection #mismanaged

5/4/2024, 4:12:32 PM

OLMECAbusters edición de 20. Firmada y enumerada. Incluye su caja de madera hecha a mano. 15cms de alto. Resina impresa en 3D Precio $2500mxn + envío Disponible por DM. Pago con transferencia o PayPal +6% La pieza se enviará de 1-2 semanas después de la preventa Todo hecho con amor en mi estudio en el hermoso puerto jarocho De Veracruz para el mundo! APPROPRIATE EVERYTHING! #APPROPRIATE #OLMECA #tropicalcontemporaneo #art #arte #kunst #fineart #veracruz #jarocho #popart #mexicano #mexican #allseeingeye #420 #prehispanico #digitalart #appropriationart #bootlegmexicano #hypebeast #illustration #3dmodeling #3dprinting #ghostbusters #cazafantasmas #cartoon #90s #arttoy #sculpture

5/3/2024, 10:01:09 PM

Drawing now, painting soon!! title:□/size:910x652mm/Gesso, marker, cotton canvas/ #wip #tsutomuharaguchi #contemporaryart  #popart #character  #logo #painting #appropriationart

5/3/2024, 4:35:02 PM

Come by until Sunday @staedtischegaleriebremen #sleepingbythedataflow #appropriationart #alecsoth #ai #contemporaryphotography #bremen

5/3/2024, 12:13:13 PM

Richard Pettibone is recognized as a trailblazer in #appropriationart due to his creation of scaled-down versions of significant artworks dating back to the 1960s. Well ahead of the trend in the 1980s, Pettibone adopted the practice of appropriating images, mimicking pieces by renowned artists like Andy Warhol, Jasper Johns, Frank Stella, Roy Lichtenstein, Ed Ruscha, Marcel Duchamp, and Piet Mondrian. These miniatures or ”reductions,“ as Pettibone terms them, deviate from their original counterparts through their markedly smaller size and subtle alterations, such as changes in color or materials. This process blurs the lines between originality and replication, prompting inquiries into the authorship of artworks and conceptual notions, all while addressing themes like the commercialization of art, the art market, and the artist’s role in contemporary discourse. Featured artworks: Richard Pettibone ”Andy Warhol Cow,“ 1971 Synthetic polymer and silkscreen ink on canvas 15.2 x 9.2 cm (6 x 3.6 in.) ”Andy Warhol, Flowers 1964,“ 1972 Acrylic, graphite and silkscreen ink on canvas 4.4 x 4.4 cm (1.7 x 1.7 in.) ”Andy Warhol, Marilyn, 1964, L.H.O.O.Q., #1,“ 2002 Oil and silkscreen ink on canvas 18.4 x 17.1 cm (7.2 x 6.7 in.) For more information regarding the featured artworks, please click on the link in bio or contact us via DM or at [email protected] . Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024 #galerie_thomas #richardpettibone

5/3/2024, 10:23:29 AM