OrenPinhassi images

We are delighted to share the news that Oren Pinhassi is now co-represented by Lehmann Maupin, alongside Edel Assanti and Commonwealth and Council. Congratulations @oren_pinhassi! 📷 Photo by Tom Carter @lehmannmaupin @commonwealthandcouncil #orenpinhassi #lehmannmaupin #edelassanti #commonwealthandcouncil

We are thrilled to announce representation of New York-based artist Oren Pinhassi, who creates sensuous sculptures and large-scale installations that explore the politics of architectural spaces as they relate to the human body. His anthropomorphic sculptures, often standing up to eight feet in height, examine individual vulnerability and fluidity within the built environment, probing new possibilities for coexistence. In September 2024, we will open an In Focus presentation of @Oren_Pinhassi’s work at our New York gallery. The exhibition comes on the heels of a string of institutional shows in 2023 featuring Pinhassi’s work, including ‘This is a Rehearsal’ at The Chicago Architecture Biennial and ‘Moveables’ at ICA Philadelphia. 📲 Learn more via the link in bio. 📷 Pictured: Portrait of Oren Pinhassi. Photo by Tom Carter; Mourner no. 2 - II, 2023. Photo by Rob Battersby; Installation view of Pinhassi’s work in the 2023 group exhibition ‘Moveables’ at @ICAPhiladelphia; Reception, 2022 #OrenPinhassi #LehmannMaupin

Ten photographs of works of art recently seen in London galleries. 1-2. Pippy Houldsworth @pippyhouldsworthgallery 1. Liorah Tchipout @tchiprout (small installation sculpture). 2. Shaq White @shaq.whyte 3-7. Daniel Katz gallery @danielkatzgallery - works from Xenia Creative Retreat - an artist residency @xeniacreativeretreat 3. Oren Pinhassi @oren_pinhassi I Do Not Fear Time (Guardian) 2024 Steel, sand, burlap, polymer and rock 228 x 54 x 54 cm 4. Aimée Parrott @aimeeparrott Fruiting body 2023 Monotype on cotton, acrylic ink, sapele frame 30.6 x 40.7 cm 5. Dean Sidaway handle with care / 04 2023 Canvas, acrylic, charcoal, artist tape, electrical tape, organza, embroidery floss and cotton thread 124 × 76 cm 6. Gillies Adamson Semple @gilliesadamsonsemple Maquette 002 2023 Aluminium, oak, steel, solder wire, silver wire, spray paint, pewter, bronze, copper, dried flower, C type print, plywood 50 x 30 cm 7. Kevin Pinsembert @trebmesnip Plante, Bibelot et Bougie 2020 Acryfic and spray paint on canvas 187 x 277 cm 8. Union Pacific @union_pacific_london Antonia Brown, @antoniaphoebebrown Sanguine flames, 2022, silk organza, muslin silk, rotin, plaster gauze, pigment (onion skins, caput, mortum, red oxide, copper oxide) oil pastel, 130 x 42 cm 9. Phillida Reid @phillidareid_grapestreet Robert Mapplethorpe Patti Smith 1979 silver gelatin print 20 x 16 inches (paper size) 10. Brunette Coleman @brunette_coleman Miriam Stoney #art #contemporaryart #contemporarysculpture #contemporarypainting #emergingartist #pippyhouldsworthgallery #liorahtchiprout #shaquellewhyte #danielkatzgallery #xeniacreativeretreat #orenpinhassi #aimeeparrott #deansidaway #gilliesadamsonsemple #kevinpinsembert #unionpacific #antoniabrown #phillidareid #robertmapplethorpe #brunettecoleman #miriamstoney

17 Xenia resident artists present their exquisite works from 2022 to 2023, in a group exhibition ‘On Tenderness & Time’ sensitively curated by Jenn Ellis, Daniel Katz Gallery, until 3 May 1- Yael Weiser (@yaelweiser ) Growing a Hand and Hyperacusis 2023 2- 3 Sara Kate Wilson (@sarah_kate_wilson ) Pupa 2022 and Faunule 2022 4- Oren Pinhassi (@oren_pinhassi ) I do not Fear Time 2024 and Aimee Parrott ( @aimeeparrott ) Cyclone 2021 5- Richard McVetis (@richardmcvetis ) Variation of a Stitched Cube 2017 and Lian-Jung Chen (@liangjung_chen ) Open Circuit and Close Circuit Test 2024 6- Marty Schnapf ( @marty_schnapf ) Cherry Blossom, 2021 7- Gillies Adamson Semple ( @gilliesadamsonsemple ) Moquette 002 2023 and Aalto 2024 @xeniacreativeretreat @apsara.studio @danielkatzgallery #yaelweiser #sarahkatewilson #orenpinhassi #aimeeparrott #richardmcvetis #liangjungchen #gilliesadamsonsemple #martyschnapf #danielkatzgallery #xeniacreativeretreat #jennellis #tendernessandtime #apsarastudio

Reflecting on a memorable time at IKT Congress 2023 in North Wales. Curator Alfredo Cramerotti masterfully guided us through the engaging exhibitions at Mostyn, highlighting the innovative works of Diane Dal-pra and Oren Pinhassi. It was a true deep dive into contemporary art and sculpture! Captured beautifully by @photojcgraphic @oren_pinhassi @curatorview @meetinwales @dianedal_pra @mostyngallery #Throwback #ArtTour #IKTCongress2023 #ContemporaryArt #ArtAppreciation #Curator #IKT2023 #ArtNews #ShareYourWork #Exhibition #ContemporarySculpture #NorthWales #Wales #Sculpture #FalseAlarm #OrenPinhassi #Mostyn #ContemporaryArt #Llandudno #MeetInWales #ContemporaryPainting #Painting

#OrenPinhassi

Here’s a cool work that I ran across at the Chicago Cultural Center a couple of months ago. Oren Pinhassi The Mourner, 2021 #art #artist #orenpinhassi #themourner #chicagoculturalcenter #sculpture

⌛ Today is the last day to visit Oren Pinhassi's 'After Pleasure' and Jenkin van Zyl's 'Dance of the Sleepwalkers'. Featuring a series of new and recently produced sculptures, 'After Pleasure' explores the aftermath of desire-fulfilment, when all longings have been satiated. Van Zyl's latest suite of drawings for 'Dance of the Sleepwalkers' reflects the needs and fears of our current moment: our need for productivity and success and our desire for community, at the cost of exhaustion and, ultimately, surrender. 📸 Photo: @tomcarterldn. @oren_pinhassi #OrenPinhassi @jenkinvanzyl #JenkinvanZyl #EdelAssanti

Blind Spot, 2023 by #OrenPinhassi echos the rhythms of organic and built environments, insinuating a symbiotic relationship between body, ideology and ecosystem. (online viewing)

#RibotNews Last week to see Oren Pinhassi’s solo show “After Pleasure” at Edel Assanti, London, until March 2, 2024. After Pleasure comprises six vertical sculptures that evade categorisation. The works' hybrid features incorporate vegetal and insect-like attributes seamlessly alongside architectural details and everyday objects. Evoking living ecologies, their self-replicating forms echo the rhythms of organic and built environments, insinuating a symbiotic relationship between body, ideology and ecosystem. As Pinhassi has noted in relation to his sculptures: "Sand or dirt, reminds us of our fragility and temporality of our bodies. As it is the dirt we will return to, at the same time, it is the mythic material from which we are told to be created, so there is in sand a creativity too, a possibility to shape, shift form and animate matter. It is a material holding together beautifully so many of our stories of life and death that we often experience as contradictions." 📸 Oren Pinhassi, After Pleasure, installation view, Edel Assanti, London, 2024. Photo: Tom Carter. #orenpinhassi #afterpleasure #edelassanti #londonart #ribotgallery #scultura #sculpture

Ten photographs of Works of art recently seen in central London art galleries. 1. Edel Assanti. @edelassanti Oren Pinhassi @oren_pinhassi (Thanks to @cfellowes32 for the tour and explanation). 2. Belmacz @belmaczlondon Charlott Weise Mamma Lupa, 2023 oil on canvas 125 × 200 cm 3. JD Malat @jdmalatgallery Natalia Ocerin @nataliaocerin Bodies #2, 2023 Oil on canvas 217.5 × 151 cm 4. Rodeo @rodeo_gallery with Import Export @importexport.art as part of @condo_complex Mia Dudek (peach coloured leaking puddle). 5. Lyndsey Ingram @lyndsey_ingram Anna Freeman Bentley @afreemanbentley Backdrop, 2023 Oil on canvas Signed verso 168 × 210cm 6. Almine Rech @alminerech TUK ROBY DWI ANTONO 7. Grimm @grimmgallery Tjebbe Beekman @tjebbebeekman 8. David Zwirner @davidzwirner Gerhard Richter 9-10 Thaddaeus Ropac @thaddaeusropac 9. Elizabeth Peyton Empress Elisabeth of Austria, 1998 Watercolour on paper 151 x 102.5 cm 10. Yan Pei-Ming Prince William, 2006 Watercolour on paper Unframed: 44 x 32,2 cm #art #contemporaryart #contemporarysculpture #emergingartist #contemporarypainting #edelassanti #orenpinhassi #belmacz #charlottweise #jdmalat #nataliaocerin #rodeo #importexport #condolondon2024 #miadudek #lyndseyingram #annafreemanbentley #alminerech #robydwinantono #grimm #tjebbebeekman #davidzwirnergallery #gerhardrichter #thaddaeusropac #elizabethpeyton #yanpeiming

“The sand-encrusted totems of Oren Pinhassi greet us like Brancusi’s that have just been on a long journey through the desert.” Brian P. Kelly, The Wall Street Journal Born in Tel Aviv in 1985, Oren Pinhassi earned his MFA from Yale University and currently lives and works in New York City. I first came across the artist’s work during his solo booth with Edel Assanti at Art Basel Miami 2022, immediately falling in love both with the kind heart of the artist, and his sensitive body of work. I am honored to have placed one from that showing in a client collection. Pinhassi’s first UK institutional exhibition titled "False Alarm" (2023) at Mostyn, Wales, showcases the artist’s -enigmatic vertical forms composed of multiple layers of sand over welded steel skeletons. The fragility of the material–gives a sense of impermanence to the sculptures and reflects the fragility of humanity. Pinhassi reasons that “sand or dirt, reminds us of our fragility and temporality of our bodies. As it is the dirt we will return to, at the same time, it is the mythic material from which we are told to be created…It is a material holding together beautifully so many of our stories of life and death that we often experience…” Including works from the Mostyn exhibition, Pinhassi’s newest exhibition at Edel Assanti, titled "False Alarm," continues on the themes of life, death, desire, and gratification. If you are in London, I encourage you to see the exhibit, on view until March 2, 2024. “After Pleasure” installation images courtesy of Edel Assanti. Oren Pinhassi, Naked Truth, 2022, (3/3), Steel, sand, burlap, polymer, rock, 89.5 x 20 x 20” Placed in Private Collection by Shari Brownfield Fine Art. #OrenPinhassi #Sculpture #AnthropomorphicArt #IsraeliArtist #NYArtist C #EdelAssanti #LondonExhibition #Mostyn # #ContemporarySculpture #ArtAdvisor #ShariBrownfieldFineArt #ConstantinBrancusi #Brancusi #WSJ

Oren Pinhassi’s solo exhibition After Pleasure is on view at Edel Assanti until March 2nd, 2024. This is Pinhassi’s third solo exhibition with the London gallery. #OrenPinhassi

Just been to this pretty interesting exhibition by our friends at @edelassanti featuring @oren_pinhassi first UK institutional solo exhibition, ‘False Alarm’ (2023), at Mostyn, Llandudno, Wales, and coincides with his participation in the Chicago Architecture Biennial, Chicago, USA (2023-2024). . “Sand reminds us of the temporality of our bodies. At the same time, there is in sand the possibility to shape, form and animate matter. It is a material holding together so many of our stories of life and death that we often experience as contradictions.” - Oren Pinhassi . #salonexit #orenpinhassi #edelassanti #artexhibition #sculpture #emergingartist #londonart #curating #fypart #installation

Baby it’s cold outside but exhibitions are warming up #emmacousin @niruratnamgallery #orenpinhassi @edelassanti #ceciliafiona @vitrinegallery #timothylai @_joshlilley

Tonight: Join the opening reception of Oren Pinhassi’s ‘After Pleasure’ and Jenkin van Zyl’s ‘Dance of the Sleepwalkers’ at Edel Assanti, 6-8pm. ‘After Pleasure’ explores the aftermath of desire-fulfilment, when all longings have been satiated. Evoking living ecologies, the self-replicating forms of Pinhassi’s sculptures echo the rhythms of organic and built environments, insinuating a symbiotic relationship between body, ideology and ecosystem. In ‘Dance of the Sleepwalkers’ van Zyl returns to the practice of world-building that occurs within fringe subcultural communities. Through the six works on paper, van Zyl explores the tension between ideas of collectivity and belonging, and the divisive impact of neoliberal frameworks that often pit individuals against each other. On view until 2 March 2024. 📸 Installation photos: @tomcarterldn. @oren_pinhassi @jenkinvanzyl #OrenPinhassi #JenkinvanZyl #EdelAssanti #NewExhibition

Don't miss Oren Pinhassi in conversation with Rachel Thomas, Chief Curator of the @hayward.gallery at the Southbank Centre, on Wednesday 24 January at 12pm. The talk will centre on Pinhassi’s new solo exhibition at Edel Assanti, 'After Pleasure', opening this Thursday 18 January, 6-8pm. 🎟️ Spaces are limited. Book your free ticket via the link in bio.📍The talk will be held at Edel Assanti. @oren_pinhassi @rachael__thomas @hayward.gallery @southbankcentre #OrenPinhassi #RachelThomas #EdelAssanti #HaywardGallery

✨ The ever evolving project. Thank you @james_retief for capturing the pulse of our home as it develops & takes shape. Here pictured works by: @yenimao @nicolecoson @dawn___ng @jo.nesr @oren_pinhassi @mariejacotey & pieces of furniture from designers to thrift stores & the Moroccan mountains. & of course, @alexandergaryfallou’s collection of books. 🤍 • #home #curatedspace #yenimao #nicolecoson #dawnng #racheljones #orenpinhassi #mariejacotey #foliosociety

📣 Save the date: 'After Pleasure', Oren Pinhassi's third solo exhibition at Edel Assanti, opens on Thursday 18 January. The show follows Pinhassi’s first UK institutional solo exhibition, 'False Alarm' (2023), at Mostyn, Llandudno, Wales, and coincides with his participation in the Chicago Architecture Biennial, Chicago, USA (2023-2024). "Sand reminds us of the temporality of our bodies. At the same time, there is in sand the possibility to shape, form and animate matter. It is a material holding together so many of our stories of life and death that we often experience as contradictions." – Oren Pinhassi Join us for a conversation between the artist and Rachel Thomas, Chief Curator of the @hayward.gallery at the Southbank Centre, on Wednesday 24 January at 12pm. 🎟️ Book your free ticket via the link in our bio. 🥂Opening reception: Thursday 18 January, 6-8pm 🎙️ Artist talk: Wednesday 24 January, 12pm 📸 'False Alarm', installation view, Mostyn, 2023. Photo: Rob Battersby. @oren_pinhassi @rachael__thomas @hayward.gallery @southbankcentre #OrenPinhassi #RachelThomas #EdelAssanti #HaywardGallery #SouthbankCentre #NewExhibition

Installation views with Ugo Rondinone, “Blue Black Monk” Camille Henrot, “Fairweather Mother” Oren Pinhassi, “Thirst Trap” Paul Ramirez Jonas, “Division” Tschabalala Self, “Yellow Legs on Milk Crate No. 2” Elizabeth Catlett, “Seated Woman” Chris Cornelius, “ukwé·tase(newcomer/stranger)” Jean-Marie Appriou, “Flamingo Soup” Candice Lin, “Metamorphosis in Space” Diane Simpson, “Samurai #1” Site Design, “Beneath Our Feet” @ugorondinone0 @coelocanthe @oren_pinhassi @paulramirezjonas @tschabalalaself @elizabeth.catlett @christcornelius @sitedesigngroup Photos: @tomharrisphotography and Alex Brescanu #ugorondinone #camillehenrot #orenpinhassi #paulramirezjonas #tschabalalaself #elizabethcatlett #chriscornelius #jeanmarieappriou #candicelin #dianesimpson #sitedesign #cab5 #thisisarehearsal #chicagoarchitecturebiennial #monuments

Oren Pinhassi. Recumbent Figure n.1, 2022. #orenpinhassi

The lines between sculpture and furniture are blurring. These eight artists are leading the way. ⁠ ⁠ Taking cues from Surrealist objects that put playful spins on familiar objects—like Meret Oppenheim’s furry teacup or Salvador Dalí’s lobster telephone—these artists ask us to see the everyday in new and exciting ways. ⁠ ⁠ A.i.A. senior editor Emily Watlington spoke to Liam Lee, Oren Pinhassi, Chris Wolston, Dozie Kanu, Qualeasha Wood, Ficus Interfaith, Nicole Cherubini, and Gustavo Barroso about working at the intersection of art and furniture. ⁠ ⁠ Check the link in our bio to see what they said. ⁠ ⁠ [ID: Several different furniture-artwork hybrids shown together.]

Oren Pinhassi talks to Art in America about the human need to create and the union of architecture and nature. Tomorrow is the last day to see Oren’s work in Moveables, an exhibition on view at ICA Philadelphia. #OrenPinhassi

Oren Pinhassi, “I Do Not Fear Time (guardian) II” (2023) #orenpinhassi #sculpture #art #abstractart #noface #nohead #thecuratormoibrahim #abstractsculpture

It’s the last week to see David Antonio Cruz: When the Children Come Home and Moveables with Oren Pinhassi, Jes Fan, Hannah Levy, Nikita Gale and Ken Lum. @icaphiladelphia Closes December 17 #moveables #whenthechildrencomehome #hannahlevy #orenpinhassi #nikitagale #kenlum #jesfan #davidantoniocruz #home #kinship #objects #chosenfamily

#RibotNews Last days to see Oren Pinnassi in Moveables, curated by @apkapkapk and @cole.akers, at Institute of Contemporary Art, Philadelphia, USA, on view until December 17, 2023 The word “moveables” refers to any article in a building, such as furniture, that is not fixed in place. Originally developed as a legal term to describe property, the word also playfully implies dynamic motion and fluidity. This tension between sculpture and theater is suggested through the show’s installation as a series of discrete scenes. The artists’ works probe the tensions between public and private, real and imaginary. Pinhassi’s sensuous sculptures explore a porous relationship between the human figure, nature, and the built environment and how they intersect through public and private exchange. #orenpinhassi #ICAPhiladelphia #sculpture #contemporaryartist #ribotgallery

Run, don’t walk! Last week to see David Antonio Cruz: When the Children Come Home and Moveables with Oren Pinhassi, Jes Fan, Hannah Levy, Nikita Gale and Ken Lum @icaphiladelphia Closes December 17 #moveables #whenthechildrencomehome #hannahlevy #orenpinhassi #nikitagale #kenlum #jesfan #davidantoniocruz #home #kinship #objects #chosenfamily

Oren Pinhassi’s work is included in Moveables, an exhibition currently on view at ICA Philadelphia through December 17. #OrenPinhassi Photo by Constance Mensh

Oren Pinhassi. Untitled (Figure no. 2), 2020. #orenpinhassi

Oren Pinhassi's "Drip Dry Eyes" blurs the lines between sculpture and architecture. The artworks, formed from a distinctive pigmented plaster and sand composite, strikes a balance between lavish form and practical design, all within a resonant, minimalist aesthetic.

Oren Pinhassi• Better Safe Than Sorry•2018 . . . . . #orenpinhassi . #art #artwork #artoftheday #artcollector #artofinstagram #artgallery #contemporary #contemporaryart #creative #creativeart #artlover #artcollective #artdaily #artstudio #artgram #arttherapy #artist #artoftheday #artesanato #artexhibition #modernart #sculpture #fineart #interior #artcurator #artadviser #artmagazine

#Throwback to IKT Congress 2023 in North Wales. Curator Alfredo Cramerotti led a guided tour through the thought-provoking Mostyn exhibitions, offering attendees an insightful exploration of the works by Diane Dal-pra and Oren Pinhassi. We look forward to the upcoming IKT Congress in Switzerland in April 2024! Photography by @photojcgraphic @oren_pinhassi @curatorview @meetinwales @dianedal_pra @mostyngallery #Throwback #ArtTour #IKTCongress2023 #ContemporaryArt #ArtAppreciation #curator #IKT2023 #news #shareyourwork #exhibition #ContemporarySculpture #northwales #Wales #sculpture #falsealarm #orenpinhassi #Mostyn #contemporaryart #llandudno #meetinwales #contemprarypainting #painting #contemporaryart

Turin has confirmed all the high expectations I had. There’s no doubt, @artissimafair it’s my favorite fair in Italy! The balance between size and quality of the proposal is the key for a joyful day immersed in the corridors full of beautiful art! Some pics from my stay over there. It was fast, but worth as usual! A big mention to my friends @vedovamazzei_iconic_works I love so much visiting your genial art project NEW EGG, and testing the incredible eggs by the Master #paoloparisi Thx so much to also to @vinvinvienna and @thesundaypainter for the delicious dinner we had on Thursday night, it was cool sharing the same table. #sofartmn #artissima #gamtorino #museoettorefico #artcollector #artnerd #privatecollection #artlover #artuner #casechiusebypaolaclerico #vedovamazzei #leonardodevito #giannicaravaggio #orenpinhassi #johngiorno #maggihambling #weareallemigrants #francescohayez #manuelecerruti #alessandroroma #jenniferjlee #foreignerseverywhere #clairefontaine #gideonrubin #salvo #corinnagosmaro

On view at our Booth 15, Hall RED - Section Monologue/Dialogue, a selection of works by @oren_pinhassi Come say hi! 👋🏽 📸 1-2Oren Pinhassi, Recumbent Figure n.2, 2022, steel, burlap, sand, polymer, cm 180x143x95 3-4Oren Pinhassi, Not A Mother Figure 1, 2022, steel, burlap, sand, polymer, stone, cm 215x75x40 5-6Oren Pinhassi, Small Vertical Figure, 2022, steel, burlap, sand, polymer, stone, pigeon spikes, cm 204x53x40 PH @mattiamognetti #orenpinhassi #artissimafair #artissima23 #italianfair #artfair #turin #contemporarysculpture #scultura #sandsculpture #ribotgallery #artecontemporanea #torinoarte #artweek

Details on view now @icaphiladelphia In Moveables, an exhibition with: Hannah Levy Oren Pinhassi Nikita Gale Ken Lum Jes Fan And in David Antonio Cruz: When the Children Come Home Both on view @icaphiladelphia through Dec 17 #moveables #whenthechildrencomehome #hannahlevy #orenpinhassi #nikitagale #kenlum #jesfan #davidantoniocruz #home #kinship #objects #chosenfamily

Hello Turin! First day at @artissima You will find us at Booth 15, Hall RED - Section Monologue/Dialogue with a selection of works by Oren Pinhassi and Andrei Pokrovskii ‘s new works! 📌ARTISSIMA 2023 Preview Nov 2, 2023 Public days Nov 3 – 5, 2023 OVAL Lingotto Fiere via Giacomo Mattè Trucco, 70
Turin 📸 @mattiamognetti #artissimafair #artissima23 #italianfair #artfair #turin #orenpinhassi #andreipokrovskii #ribotgallery #contemporaryartist #contemporarysculpture #contemporarypainter

Just two more days until the preview of @artissimafair !Come visit us at Booth 15, Red Hall with a selection of artworks by @oren_pinhassi and @dronopofos 📌ARTISSIMA 2023 Preview NOV 2, 2023 Public Days NOV 3 – 5, 2023 OVAL Lingotto Fiere via Giacomo Mattè Trucco, 70 Torino 📸 Andrei Pokrovskii, Cotton Candy, 2023, acrylic and oil on panel, cm 30x40 Oren Pinhassi, Small Vertical Figure, 2022, steel, burlap, sand, polymer, stone, pigeon spikes. #artissimafair #artissima23 #italianfair #artfair #turin #orenpinhassi #andreipokrovskii #ribotgallery #contemporaryartist #contemporarysculpture #contemporarypainter

🔍SNEAK PEEK! @artissimafair is approaching and we look forward to welcoming you at our Booth RED 15 - Section Monologue/Dialogue with a selection of artworks by @oren_pinhassi and @dronopofos 📌SAVE THE DATE! ARTISSIMA 2023 NOV 3 – 5, 2023 OVAL Lingotto Fiere via Giacomo Mattè Trucco, 70 Torino 📸details of - Andrei Pokrovskii, A Stocking With Sand, 2023, acrylic and oil on panel, cm 41x31 -Oren Pinhassi, Recumbent Figure n.2, 2022, steel, burlap, sand, polymer, cm 180x143x95 #artissimafair #artissima23 #italianfair #artfair #turin #orenpinhassi #andreipokrovskii #ribotgallery #contemporaryartist #contemporarysculpture #contemporarypainter

I reviewed the group show “Moveables” at @icaphiladelphia for @friezeofficial. My first for the magazine. “Technically, the term ‘moveables’ refers to the belongings you can take with you when you leave a residence – anything, so to speak, that is not nailed down. But what if we envision the body as the edifice? What then becomes adaptable or interchangeable?” Read more at link in bio. Images: installation views with #OrenPinhassi #JesFan #HannahLevy #NikitaGale and #KenLum

One more sculpture by Oren Pinhassi this one was tuck away upstairs but certainly worth the climb. #orenpinhassi #pink #sculpture

Oren Pinhassi's new sculptural work 'I Do Not Fear Time (Guardian)', 2023, is on view at our Frieze London booth (G10). Made from sand layered by hand over a welded steel skeleton, Pinhassi's totemic sculpture explores the logic of mourning as a site of metamorphosis. In 'I Do Not Fear Time (Guardian)', the figure is upstanding, yet the stance of its feet, curled over the edges of unwieldy rock bases, signals a progression towards horizontality, as if caught in the in-between state. The presentation follows Pinhassi's first UK institutional solo exhibition at @mostyngallery in Wales and his participation in the shows at the @icaphiladelphia and @chicagoarchitecturebiennial. 📍Booth G10, Main Section 11-15 October 2023 📸 Photo: Andy Keate. @oren_pinhassi @friezeofficial #EdelAssanti #OrenPinhassi #FriezeLondon #Frieze20 #Sculpture

Some spectacular pieces at Frieze #alvarobarrington #malgorzatamirgatas @frithstreetgallery #sukiseokyeongkang @tinakimgallery #lucystein @halesgallery #graysonperry @victoriamirogallery #orenpinhassi @friezeofficial

Visit us at Frieze London! Presenting new and previously unseen works by Noémie Goudal, Lonnie Holley, Julianknxx, Oren Pinhassi, and Sylvia Snowden. Frieze London 📍Booth G10, Main Section 📆 11 – 15 October 2023 🕒 Wed 11 October: 11am – 7pm (VIP Preview) Thu 12 - Sat 14 October: 11am – 7pm Sun 15 October: 11am – 6pm For Frieze Week, Edel Assanti will stay open until 8pm today and tomorrow. Take advantage to see Sylvia Snowden's solo exhibition 'M Street on White'. 📸 Photo: Andy Keate. @friezeofficial #FriezeLondon #Frieze20 #EdelAssanti @noemiegoudal #NoémieGoudal @lonnieholleysuniverse #LonnieHolley @oren_pinhassi #OrenPinhassi @julianknxx #Julianknxx #SylviaSnowden

Postcards from the future! Enjoy some pics of the works that will be on show at #Artissima2023 MONOLOGUE/DIALOGUE 📷 n.1 ► @luisadelantadovlc is pleased to present Darío Villalba ► In the picture: Kiss London, 1993 📷 n.2 ► @ribotgallery is pleased to present Oren Pinhassi ► In the picture: Small Vertical Figure, 2022 📷 n.3 ► @una_galleria is pleased to present Sofie Tobiášová ► In the picture: Calling, 2023 📷 n.4 ► @bysthisisarcade is pleased to present Clive Hodgson ► In the picture: Untitled, 2022 - #staytuned #ArtissimaGalleries #Artissima #ArtissimaMONOLOGUE/DIALOGUE #art #artfair #artecontemporanea #contemporaryart #fiera #fair #luisadelantadovlc #ribotgallery #unagalleria #thisisarcade #DaríoVillalba #OrenPinhassi #SofieTobiášová #CliveHodgson @oren_pinhassi @tobiesofiasova

⏰ There are only 2 weeks left to see Dissolutions by Diane Dal-pra and False Alarm by Oren Pinhassi. Both exhibitions are open Tuesday to Saturday, 10.30am to 4.30pm, until Saturday 7 October. ____ ⏰ Dim ond 2 wythnos sydd ar ôl i weld Diddymiadau gan Diane Dal-pra a Galwad Ffug gan Oren Pinhassi. Mae'r ddwy arddangosfa ar agor o ddydd Mawrth i ddydd Sadwrn, 10.30yb i 4.30yp, tan ddydd Sadwrn 7 Hydref. ____ @dianedal_pra @oren_pinhassi Install image by @rjbattersby #Mostyn #MostynGallery #DianeDalPra #Dissololutions #OrenPinhassi #FalseAlarm #ContemporaryArt #OrielMostyn #Diddymiadau #GalwadFfug #CelfGyfoes

“Anthropomorphic sculptures that hold up a strange, disconcerting mirror to humanity” Oren Pinhassi #orenpinhassi @icaphiladelphia #sculpture #contemporarysculpture #contemporaryart #zeitgenössischekunst #heikeartgram

Two very interesting exhibitions at Mostyn, Cymru. Serene, surreal and exquisite painting by #dianedalpra and wonderful sculpture by #orenpinhassi #mostyngallery

"Moveables" at @ICAPhiladelphia brings together the work of five artists—@Jes.J.Fan, @NikitaGale, @HannahSLevy, @Ken__Lum, and @Oren_Pinhassi—who are rethinking functional design and its intimate relationship to the human body. Whether reminiscent of a living room, lighting rig, toothbrush holder, or chandelier, their works invite us to imagine new possibilities for the objects that shape our daily lives, including who they are made for and how they might be used. Each ensemble invites us to reconsider the constructed world around us, suggesting that design is not only a reflection of who we are and how we are conditioned, but also a proposal for other ways of being. Jes Fan's works, such as his video "Xenphoria" (2018-2020) and sculptures partially created from casts of his own body, question typical notions around race, gender, and what constitutes being human. "Moveables" is on view at #ICAPhiladelphia through December 17. Learn more at the link in bio 🔗 📸: Still from Jes Fan, "Xenphoria," (2018-2020), courtesy of ICA Philadelphia. #ResnicowCulture #Philadelphia #PhiladelphiaArt #PhiladelphiaArtist #ContemporarySculpture #JesFan #NikitaGale #HannahLevy #KenLum #OrenPinhassi

📷 Details in False Alarm Oren Pinhassi's totemic sculptures dissolve traditional classifications - gender, body, nature, architecture - into states of fluid hybridity, leading us to reimagine our relationships to the environments we exist within. Channelling remnants of ancient and modern utopian projects alongside organic structures, the figures evoke fungal networks and their capacity for reinvention. The artist extends an invitation to reflect on our mortality and past failures, while urging us to imagine what kind of world we could inhabit. See False Alarm until 7 October. ____ 📷 Manylion Galwad Ffug Mae cerfluniau totemig Oren Pinhassi yn toddi dosbarthiadau traddodiadol - rhyw, corff, natur, pensaernïaeth - i gyflwr hybridedd hylifol, gan ein harwain i ail-ddychmygu ein perthynas â'r amgylcheddau yr ydym yn bodoli ynddynt. Gan sianelu olion prosiectau iwtopaidd hynafol a modern ochr yn ochr â strwythurau organig, mae'r ffigurau'n ysgogi rhwydweithiau ffwngaidd a'u gallu i ailddyfeisio. Mae’r artist yn estyn gwahoddiad i fyfyrio ar ein marwoldeb a methiannau’r gorffennol, tra’n ein hannog i ddychmygu pa fath o fyd y gallem fyw ynddo. Gweler Galwad Ffug tan 7 Hydref. ____ @oren_pinhassi Install images by @rjbattersby #Mostyn #MostynGallery #FalseAlarm #OrenPinhassi #ContemporaryArt #Exhibition #Sculpture #OrielMostyn #GalwadFfug #CelfGyfoes #Arddangosfa #Cerflun

1 month left to see False Alarm by Oren Pinhassi Oren Pinhassi's work includes a number of historical references, ranging from the idea of totemic figures in ancient civilisations to the Art Brut genre. This has earned his work admirers across different generations of artists. Ambiguity about art objects is key to the artist's practice. Whilst the timelessness of sand as a sculptural medium evokes antiquity, as an agent of natural eroision it equally foretells the return of these edifices to the earth. The figures stand upright, yet the stance of their feet, curled over the edges of rock bases, signal a progression towards horizontality, as if caught between states of life and death. The show explores the logic of mourning as a site of renewal. See False Alarm until 7 October. The show is open Tuesday to Saturday from 10.30am to 4.30pm. ____ 1 mis ar ôl i weld Galwad Ffug gan Oren Pinhassi Mae gwaith Oren Pinhassi yn cynnwys nifer o gyfeiriadau hanesyddol, yn amrywio o'r syniad o ffigurau totemig mewn gwareiddiadau hynafol i genre Art Brut. Mae hyn wedi ennill edmygwyr ei waith ar draws gwahanol genedlaethau o artistiaid. Mae amwysedd ynghylch gwrthrychau celf yn allweddol i ymarfer yr artist. Tra bod natur ddiamser y tywod fel cyfrwng cerfluniol yn dwyn i gof hynafiaeth, fel cyfrwng erydiad naturiol mae hefyd yn rhagweld dychweliad yr adeiladau hyn i'r ddaear. Mae'r ffigurau'n sefyll yn unionsyth, ac eto mae safiad eu traed, wedi'u cyrlio dros ymylon gwaelodion creigiau, yn arwydd o ddilyniant tuag at lorweddolrwydd, fel pe baent wedi'u dal rhwng cyflwr bywyd a marwolaeth. Mae'r sioe yn archwilio rhesymeg galaru fel safle adnewyddu. Gweler Galwad Ffug tan 7 Hydref. Mae'r sioe ar agor o ddydd Mawrth i ddydd Sadwrn rhwng 10.30yb a 4.30yp. ____ @oren_pinhassi Install images by @rjbattersby #Mostyn #MostynGallery #OrenPinhassi #Installation #Sculpture #ContemporaryArt #Gosodiad #Cerflun #CelfGyfoes

Oren Pinhassi’s sculptures in False Alarm explore the logic of mourning as a site of transformation, in which acknowledgment of the loss of a familiar structure is interwoven with anticipation of a new future. The title of the exhibition is itself an ambiguous combination of words: has the cause of alarm passed, or is it still present? The phrase signals Pinhassi’s desire to explore a moment of collective struggle to reimagine our future narrative. While False Alarm’s sentinels confront our mortality and past failures, they also invite contemplation of new logic, behaviours and rhythms. What kind of world could we inhabit? False Alarm is open from 10.30am to 4.30pm, Tuesday to Saturday. ____ Mae cerfluniau Oren Pinhassi yn Galwad Ffug yn archwilio rhesymeg galaru fel safle trawsnewid, lle mae cydnabyddiaeth o golli strwythur cyfarwydd yn cydblethu â rhagweld dyfodol newydd. Mae teitl yr arddangosfa ei hun yn gyfuniad amwys o eiriau: a yw achos y braw wedi mynd heibio, neu a yw'n dal yn bresennol? Mae’r ymadrodd yn arwydd o awydd Pinhassi i archwilio eiliad o frwydr ar y cyd i ail-ddychmygu ein naratif yn y dyfodol. Tra bod gwylwyr ffug Alarm yn mynd i’r afael â’n marwoldeb a’n methiannau yn y gorffennol, maen nhw hefyd yn gwahodd myfyrio ar resymeg, ymddygiadau a rhythmau newydd. Pa fath o fyd allwn ni fyw ynddo? Mae Galwad Ffug ar agor rhwng 10.30yb a 4.30yp, o ddydd Mawrth i ddydd Sadwrn. ____ @oren_pinhassi Install image by @rjbattersby #Mostyn #MostynGallery #OrenPinhassi #Sculpture #Exhibition #ContemporaryArt #OrielMostyn #Cerflun #Arddangosfa #CelfGyfoes

"Moveables" at @ICAPhiladelphia brings together the work of five artists—@Jes.J.Fan, @NikitaGale, @HannahSLevy, @Ken__Lum, and @Oren_Pinhassi—who are rethinking functional design and its intimate relationship to the human body. Whether reminiscent of a living room, lighting rig, toothbrush holder, or chandelier, their works invite us to imagine new possibilities for the objects that shape our daily lives, including who they are made for and how they might be used. Oren Pinhassi’s sensuous sculptures like "Untitled" (2019) explore a porous relationship between the human figure, nature, and the built environment and how they intersect through public and private exchange. "Moveables" is on view at #ICAPhiladelphia through December 17. Learn more at the link in bio 🔗 📸 : Oren Pinhassi, "Untitled," 2019, Courtesy of the artist and Commonwealth & Council, Los Angeles. #ResnicowCulture #Philadelphia #PhiladelphiaArt #PhiladelphiaArtist #ContemporarySculpture #JesFan #NikitaGale #HannahLevy #KenLum #OrenPinhassi

Always a pleasure to drop new work off at @siopmostyn when it means I can have a mooch around the exhibitions 🎨 sculptures by Oren Pinhassi paintings by Diane Dal-pra and retail showcase - 'The great outdoors' 🍃 #mostyngallery #orielmostyn #siopmostyn #art #thingstodonorthwales #northwales #llandudno #mostyn #orenpinhassi #dianedalpra

In a new exhibition called 'False Alarm', Oren Pinhassi "examine[s] the relationship between the human figure, nature and the built environment". The sculptures, made from sand and plaster and layered over steel skeletons, ask us to consider how we interact not just with nature, but with each other, Pinhassi writing "what if we concentrate on stories of collaboration, mutual care, touch, intimacy, slowness — what kind of science will we do then? What kind of architecture will we build? What kind of politics will we have?" Oren Pinhassi: False Alarm, is on at Moisten Galley in Llandudno, Wales, LL30 1AB, until 7th October 2023 @oren_pinhassi @mostyngallery. Curated by @curatorview and @kelleia_la 📸Pictured: Oren Pinhassi, False Alarm, Installation View at Mostyn, 2023. Photography: Rob Battersby. @rjbattersby #Mostyn #MostynGallery #OrenPinhassi #FalseAlarm #Exhibition #ContemporaryArt #Sculpture #OrielMostyn #GalwadFfug #Arddangosfa #CelfGyfoes #Cerflun #Wales #Llandudno #Art #Architecture #Design #Nature #Humanity #BuiltEnvironment #Sand #Plaster

It’s Friends Forever Week again! I loved the challenge of pairing works so much, that I decided to do it again! Check out the week of May 1, 2023 to see the first Friends Forever Week. This week I’m pairing pieces that seem like they might be friends if they met. Pieces that aren’t the same, but are simpatico. Starting ‘Friends Forever Week #2’ with the work of @kathytemin #kathytemin and @oren_pinhassi #orenpinhassi . . #art #artwork #collectart #artgallery #painting #drawing #alwayslookingatart #artcuration #artcurator #artcurationonline #alltheartists #ceramics #worksonpaper #worksoncanvas #contemporaryart #contemporarypainting #contemporaryartists #sculpture #fabric #textile #printmaking #nonobjectiveart #abstractart #bff #bestfriendsforever #simpatico #friendsforeverweek

ECCHIGHLIGHTS #151 • 1. Mirko Baselgia at Galerie Urs Meile @studio.mirko.baselgia @galerieursmeileofficial 2. Manor Grunewald at Plus-One Gallery @manorgrunewald @plus_one.gallery 3. Cathy Wilkes at The Modern Institute @themoderninstitute 4. Veronica Bisesti at Alfonso Artiaco @veronicabisetti @galleriaalfonsoartiaco 5. Friedrich Kunath at Travesía Cuatro @friedrichkunath @travesiacuatro 6. Melanie Kitti at Overgaden @melaniekitti @overgaden_ 7. Oren Pinhassi at Mostyn Gallery @oren_pinhassi @mostyngallery 8. Szabolcs Bozo at Palazzo Canavis @szabolcs_bozo 9. Wolfgang Voegele and Kiko Pérez at ak contemporary @wvoegele @psikokiko @ak_contemporary 10. Claude Closky at Galerie Mehdi Chouakri @claudeclosky @mehdichouakri • #mirkobaselgia #galerieursmeile #manorgrunewald #plusonegallery #cathywilkes #themoderninstitute #veronicabisesti #alfonsoartiaco #friedrichkunath #travesiacuatro #melaniekitti #overgaden #orenpinhassi #mostyngallery #szabolcsbozo #palazzocanavis #wolfgangvoegele #kikoperez #akcontemporary #claudeclosky #galeriemehdichouakri • #ecchighlights #ecc #eccontemporary

Planning to travel to Wales? Don't forget to visit 'False Alarm', Oren Pinhassi's first UK solo exhibition at @mostyngallery 🏴󠁧󠁢󠁷󠁬󠁳󠁿 Made from sand and plaster, layered by hand over welded steel skeletons, Pinhassi's totemic figures exist in a state of metamorphosis, ready to collapse or reinvent themselves, caught between life and death, making and becoming. On view until 7 October 2023. 📸 Oren Pinhassi, 'False Alarm', installation view, Mostyn, Llandudno, UK, 2023. ©️ Oren Pinhassi. Courtesy of Mostyn. Photo: Rob Battersby. With the support of the Henry Moore Foundation, The Foundation Foundation and Xenia Creative Retreat. @oren_pinhassi @curatorview @kelleia_la #OrenPinhassi #MostynGallery

This Friday! Curator Tour: Dissolutions / False Alarm Join Mostyn’s Director, and exhibition curator Alfredo Cramerotti, for a free tour of Dissolutions and False Alarm at 2.30pm on 28 July. Find out more about the work of French artist Diane Dal-pra, an ascending art star of contemporary painting in Dissolutions, and the sculptural fragile hybrids in Oren Pinhassi’s exploration of mourning rituals in False Alarm. Book your ticket via the link in bio or stories! You can find lightweight foldable stools available in our galleries for you to use at any time during the talk. If you need any assistance, please don't hesitate to ask our staff members. ____ Taith Curadur: Diddymiadau & Galwad Ffug 28 Gorffennaf 2.30yp Ymunwch â Chyfarwyddwr Mostyn, a churadur yr arddangosfa Alfredo Cramerotti ar gyfer y daith am ddim hon o Diddymiadau / Galwad Ffug ym Mostyn ar Gorffennaf 28 am 2.30yp. Darganfyddwch fwy am waith yr artist Ffrengig Diane Dal-pra, seren ar gynnydd yng nghelfyddyd paentio cyfoes yn Diddymiadau, a’r hybridau bregus cerfluniol yn archwiliad Oren Pinhassi o ddefodau galar yn Galwad Ffug. ____ Install by @rjbattersby @curatorview @dianedal_pra @oren_pinhassi #Mostyn #MostynGallery #CuratorTour #ContemporaryArt #Exhibition #DianeDalpra #OrenPinhassi #Dissolutions #FalseAlarm

Are you planning a trip to Mostyn Gallery as a family this summer? Don't forget to pick up a Diane Dal-pra & Oren Pinhassi: Learning Resource Pack from our Big Ideas Box during your visit! Designed with activities focused on the central themes of the artists' practices, the pack serves as a perfect starting point for you to create your own still life paintings and sculptures inspired by the artwork in Dissolutions and False Alarm! You can find printed versions of the pack in the gallery or download it as a PDF at home via our website in the link in bio 🔗 ____ Ydych chi'n bwriadu ymweld ag oriel Mostyn fel teulu yr haf hwn? Peidiwch ag anghofio codi Pecyn Adnoddau Dysgu Diane Dal-pra ac Oren Pinhassi o'n Bocs Syniadau Mawr yn ystod eich ymweliad! Wedi'i gynllunio gyda gweithgareddau sy'n canolbwyntio ar themâu canolog arferion yr artist, mae'r pecyn yn fan cychwyn perffaith i chi greu eich paentiadau a'ch cerfluniau bywyd llonydd eich hun wedi'u hysbrydoli gan y gwaith celf yn Diddymiadau a Galwad Ffug! Gallwch ddod o hyd i fersiynau printiedig o’r pecyn yn yr oriel neu ei lawrlwytho fel PDF gartref drwy ein gwefan yn y ddolen yn y bio🔗 ____ @dianedal_pra @oren_pinhassi Install image by @rjbattersby #Mostyn #MostynGallery #LearningResourcePack #DianeDalpra #OrenPinhassi #Exhibitions #ContemporaryArt #Dissolutions #FalseAlarm #Mostyn #OrielMostyn #PecynDysgu #Arddangosfeydd #CelfGyfoes

Oren Pinhassi: False Alarm is now on view at Mostyn Gallery until October 7th Curated by @curatorview and @kelleia_la Photography by @rjbattersby #OrenPinhassi

#RibotNews Oren Pinhassi’ solo show “False Alarm” at Mostyn, Llandudno, curated by Alfredo Cramerotti, until October 7, 2023. Oren Pinhassi’s sculptures examine the relationship between the human figure, nature and the built environment. Made from sand and plaster, layered by hand over welded steel skeletons, the totemic figures exist in a state of metamorphosis, ready to collapse or reinvent themselves, caught between life and death, making and becoming. The sculptures in False Alarm are fragile hybrids, evoking antiquity yet anticipating an undefined future, in which traditional classifications no longer apply. Taking mourning rituals as a conceptual point of departure, the works explore the logic of mourning as a site of renewal – a familiar reality has been lost, giving way to something new. Pinhassi extends an invitation to consider our mortality and past failures, while urging us to imagine what kind of world we could inhabit. The exhibition is curated by Alfredo Cramerotti, Director, Mostyn and Kalliopi Tsipni-Kolaza, Associate Curator of Visual Art, Mostyn, with the support of the Henry Moore Foundation, The Foundation Foundation and Xenia Creative Retreat. 📸 Oren Pinhassi, False Alarm, installation view, Mostyn, Llandudno, UK, 2023. © Oren Pinhassi. Courtesy of Mostyn. Photo: Rob Battersby. #orenpinhassi #ribotgallery #falseallarm #mostyn #englishart #contemporaryart #contemporarysculpture

Oren Pinhassi's first institutional show in the UK 'False Alarm' is on view at Mostyn, Llandudno, Wales, running through 7 October 2023. Taking mourning ritual as a conceptual point of departure, the show examines the potential for renewal inherent in the in-between state. Pinhassi’s sculptures explore the logic of mourning as a site of metamorphosis, in which acknowledgement of the loss of a familiar structure is interlaced with anticipation of a new future. Curated by Alfredo Cramerotti and Kalliopi Tsipni-Kolaza, with the support of the Henry Moore Foundation, The Foundation Foundation and Xenia Creative Retreat. 📸 Oren Pinhassi, 'False Alarm', installation view, Mostyn, Llandudno, UK, 2023. © Oren Pinhassi. Courtesy of Mostyn. Photo: Rob Battersby. @oren_pinhassi @mostyngallery @curatorview @kelleia_la #OrenPinhassi #MostynGallery

The super amazing work by @oren_pinhassi NOW ON VIEW! @mostyngallery ・・・ ✨See False Alarm by Oren Pinhassi ✨ Exhibition open Tuesday to Saturday, 10.30am to 4.30pm Oren Pinhassi’s totemic sculptures examine the relationship between the human figure, nature and the built environment. They are fragile hybrids, evoking antiquity yet anticipating an undefined future, in which traditional classifications no longer apply. Taking mourning rituals as a conceptual point of departure, the works explore the logic of mourning as a site of renewal – a familiar reality has been lost, giving way to something new. Pinhassi extends an invitation to consider our mortality and past failures, while urging us to imagine what kind of world we could inhabit. ____ ✨Gweler Galwad Ffug gan Oren Pinhassi ✨ Arddangosfa ar agor o ddydd Mawrth i ddydd Sadwrn, 10.30yb i 4.30yp Mae cerfluniau totemig Oren Pinhassi yn archwilio’r berthynas rhwng y ffigwr dynol, natur a’r amgylchedd adeiledig. Maent yn hybridau bregus, sy'n dwyn i gof hynafiaeth ond eto'n rhagweld dyfodol heb ei ddiffinio, lle nad yw dosbarthiadau traddodiadol bellach yn berthnasol. Gan gymryd defodau galaru fel man cychwyn cysyniadol, mae'r gweithiau'n archwilio rhesymeg galaru fel safle adnewyddu - mae realiti cyfarwydd wedi'i golli, gan ildio i rywbeth newydd. Mae Pinhassi yn estyn gwahoddiad i ystyried ein marwoldeb a methiannau’r gorffennol, tra’n ein hannog i ddychmygu pa fath o fyd y gallem fyw ynddo. ____ Main I nstall image by @rjbattersby Exhibition curated by Alfredo Cramerotti, Director, Mostyn @curatorview and Kalliopi Tsipni-Kolaza, Associate Curator of Visual Art, Mostyn, @kelleia_la with the support of the Henry Moore Foundation, The Foundation Foundation and Edel Assanti Gallery, London. Special thanks to Xenia Creative Retreat. Curadir yr arddangosfa gan Alfredo Cramerotti, Cyfarwyddwr, Mostyn a Kalliopi Tsipni-Kolaza, Curadur Cysylltiol y Celfyddydau Gweledol, Mostyn, gyda chefnogaeth Sefydliad Henry Moore, The Foundation Foundation ac Oriel Edel Assanti, Llundain. Gyda diolch arbennig i Xenia Creative Retreat. #Mostyn #MostynGallery #ContemporaryArt #OrenPinhassi #OrielMostyn #sculpture #Cerflun