05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the top floor with artworks ‘Extinct No. 5’, ‘Extinct No. 4’, ‘Extinct No. 3’, and ‘Extinct No. 2’. Extinct No. 5, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 4, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 3, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 2, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the top floor with artworks ‘Seed Calendar: Sunflowers’, ‘Seed Calendar: Baja Pod’, ‘Extinct No. 5’, ‘Extinct No. 4’, ‘Extinct No. 3’, and ‘Extinct No. 2’. Seed Calendar: Sunflowers, 1993 Sunflower seeds from Amagansett, rice paper [21 x 22 in. / 53.5 x 56 cm Seed Calendar: Baja Pod, 1992 Seeds and pod from Baja, CA, wax, Chinese paper 20.75 x 27.0 in. / 52.8 x 68.6 cm Extinct No. 5, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 4, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 3, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Extinct No. 2, 1992 Plant, wax, rice paper, wood support, hand printed 13.0 x 13.0 x 2.25 inch. / 33.0 x 33.0 x 5.7 cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the top floor with flower bouquet from Regula Guhl and artworks ‘Wild Horse’, ‘Language of Marks (Maroc)’, ‘Eclipse II’, ‘Zoomorph: Air’, and ‘Extinct’. Wild Horse, 1983 Earth, pigment, hydrocal, structolite, wax, linen, rag paper 13.0 x 9.25 x 3.0 in. (18 pages) / 33.1 x 23.5 x 7.7 cm Language of Marks (Maroc), 1983 Hydrocal, structolite, earth from Morocco, linen, brown wax approx. 12.0 x 10.0 x 2.75 in. / 30.5 x 25.4 x 7.0 cm Eclipse II, August 21, 2017, 2017-18 Pigment prints on archival paper 57.0 x 44.5 in., 0.5 in. interstices / 144.8 x 113.1 cm Zoomorph: Air, 2000 Linen handmade paper, wax, string 20 framed units, 70.0 x 72.0 in. overall / 177.8 x 182.9 cm Extinct, 1992 Plants, seeds, hand-printed rice paper, pine support 35 units 11 x 11 in. each, 95.0 x 69.5 x 9 x 4.75 in. overall / 241.3 x 176.5 x 12.1 cm Photos by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artworks ‘Moon’, ‘Sayreville Sunrise’, ‘Riad Series: Ham_Dami’, ‘Grey Stone’, ‘Project Drawing: Triangle’, ‘Project Drawing “untitled” (Moray Hill)’, and ‘ #14 Blue Stone’. Moon, 1969 Pencil on vellum 36.25 x 24.75 in. / 92.1 x 62.9 cm Sayreville Sunrise, 1976 Earth from site, Sayreville, NJ, on muslin-mounted paper 38.0 x 50.0 in. with 0.5 in. interstices / 96.6 x 127.0 cm Riad Series: Ham_Dami, 1982 Graphite on muslin-mounted rag paper 30.0 x 24.0 in. / 76.2 x 61.0 cm Grey Stone, 1971 Graphite on paper frottage 9.0 x 11.75 in. / 22.9 x 29.8 cm Project Drawing: Triangle, 1974 Graphite, pencil, staples, collage 15.88 x 19.88 in. / 40.3 x 50.5 cm Project Drawing “untitled” (Moray Hill), 1974 Graphite, pencil, staples, collage 17 x 22 in. / 43.2 x 55.9 cm #14 Blue Stone, 1973 Graphite on paper 84.0 x 62.0 in. / 213.4 x 157.5 x cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artworks ‘Riad Series: Ham_Dami’, ‘Grey Stone’, ‘Project Drawing: Triangle’, ‘Project Drawing “untitled” (Moray Hill)’, ‘ #14 Blue Stone’, ’Changes in the Earth That Make an Imaginary Land I’, ‘Earth Lines’, and portrait of the artist. Riad Series: Ham_Dami, 1982 Graphite on muslin-mounted rag paper 30.0 x 24.0 in. / 76.2 x 61.0 cm Grey Stone, 1971 Graphite on paper frottage 9.0 x 11.75 in. / 22.9 x 29.8 cm Project Drawing: Triangle, 1974 Graphite, pencil, staples, collage 15.88 x 19.88 in. / 40.3 x 50.5 cm Project Drawing “untitled” (Moray Hill), 1974 Graphite, pencil, staples, collage 17 x 22 in. / 43.2 x 55.9 cm #14 Blue Stone, 1973 Graphite on paper 84.0 x 62.0 in. / 213.4 x 157.5 x cm Portrait of the artist, Sayreville Quarry, New Jersey, 1976 Changes in the Earth That Make an Imaginary Land I, 1972 Graphite and ink on paper 22.0 x 30.0 in. / 55.9 x 76.2 cm Earth Lines, 1969 Graphite on paper frottage 13.5 x 13.5 in. / 34.3 x 34.3 cm] Photo 1 and 2 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artwork ‘Galesteo’. Galesteo, 1977 Earth and rock identations from site on muslin-mounted rag paper 157.5 x 261.6 cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artwork ‘ #14 Blue Stone’. #14 Blue Stone, 1973 Graphite on paper 84.0 x 62.0 in. / 213.4 x 157.5 x cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
05/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artworks ‘Ledger Series: Woodbridge Quarry, New Jersey’, ‘Moon’, and ‘Sayreville Sunrise’. Ledger Series: Woodbridge Quarry, New Jersey, 1977 Earth from site on muslin-mounted paper 39.63 x 27.0 in. / 100.6 x 68.6 cm Moon, 1969 Pencil on vellum 36.25 x 24.75 in. / 92.1 x 62.9 cm Sayreville Sunrise, 1976 Earth from site, Sayreville, NJ, on muslin-mounted paper 38.0 x 50.0 in. with 0.5 in. interstices / 96.6 x 127.0 cm Photos 1 and 2 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie
04/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with artworks ‘Changes in the Earth That Make an Imaginary Land I’ and ‘Earth Lines’ and flower bouquet from Regula Guhl. Changes in the Earth That Make an Imaginary Land I, 1972 Graphite and ink on paper 22.0 x 30.0 in. / 55.9 x 76.2 cm Earth Lines, 1969 Graphite on paper frottage 13.5 x 13.5 in. / 34.3 x 34.3 cm Photo 1 by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie @dadadog.stuart @galerielelong @schaub_stierli_fotografie @josephredpath
04/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the ground floor with portrait of the artist, artworks ‘Changes in the Earth That Make an Imaginary Land I’, ‘Earth Lines’, ‘Ledger Series: Woodbridge Quarry, New Jersey’, ‘Moon’, and flower bouquet from Regula Guhl. Portrait of the artist, Sayreville Quarry, New Jersey, 1976 Changes in the Earth That Make an Imaginary Land I, 1972 Graphite and ink on paper 22.0 x 30.0 in. / 55.9 x 76.2 cm Earth Lines, 1969 Graphite on paper frottage 13.5 x 13.5 in. / 34.3 x 34.3 cm Ledger Series: Woodbridge Quarry, New Jersey, 1977 Earth from site on muslin-mounted paper 39.63 x 27.0 in. / 100.6 x 68.6 cm Moon, 1969 Pencil on vellum 36.25 x 24.75 in. / 92.1 x 62.9 cm Photo by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie
04/2024 | ADA x Michelle Stuart ADA x Michelle Stuart ‘Marking Time’ March 23—June 16, 2024 Exhibition view from the outside with flower bouquet from Regula Guhl and artworks ‘Changes in the Earth That Make an Imaginary Land I’ and ‘Earth Lines’. Changes in the Earth That Make an Imaginary Land I, 1972 Graphite and ink on paper 22.0 x 30.0 in. / 55.9 x 76.2 cm Earth Lines, 1969 Graphite on paper frottage 13.5 x 13.5 in. / 34.3 x 34.3 cm Photo by Schaub Stierli Fotografie. - #ADA #ADAx #AngelaDeuber #MichelleStuart #ADAxMichelleStuart #GalerieLelong #GalerieLelongCo #SchaubStierli #SchaubStierliFotografie #BlumenbinderRegulaGuhl @dadadog.stuart @galerielelong @blumenbinderzh
05/2022 | Snow – Conversion of a late medieval house in Stuls, Grisons, Switzerland Publication in ArcMag, ‘Geistigen Halt Bieten’, March 2022.
04/2022 | Snow – Conversion of a late medieval house in Stuls, Grisons, Switzerland Completed project.
04/2022 | Snow – Conversion of a late medieval house in Stuls, Grisons, Switzerland Article in Neue Zürcher Zeitung (NZZ), Radikal modernisiertes Mittelalter.